Say Yes!

September 17th, 2011

I haven’t written a blog for a while. This is because I have been feeling fairly ranty, and didn’t want to burden anyone (who wasn’t in my immediate company) with more vitriol about the government, war, health service, racism, obesity, youth crime or anything else that was particularly pissing me off at the time. So I am taking this opportunity of being slightly more zen and sweaty (I have just taken a Bikram yoga class) to say something in a calm manner about an attitude I have found helpful to my comedy writing (and less helpful to my sanity).

In short, I say yes to everything. All the weird invites I get – the terrifyingly awkward parties, the odd fitness crazes (as I said, currently doing yoga at 30 degrees WITH A COLLEAGUE) and other peoples’ family occasions at which I have no place – I gaily write in the diary, knowing that no matter how painful it’s going to be at the time, it will likely make for a good story. The same used to apply to dates as well – equally funny, but alas no more.

By way of example, an opportunity recently came up with my company to watch and interview (on camera) the guys from Puppetry of the Penis. Of course I jumped at the chance! Possibly the weirdest hour and a bit of my life. You are given 3D goggles on arrival. Two guys come on stage and get naked. They then proceed to make shapes using their genitalia. The genitalia constructed shapes are projected onto a massive screen behind the guys. They are given 3D treatment, so you get the full effect. Shape-appropriate backgrounds are projected behind. For example – slowly emerging mollusc – one of my favourites – the penis is pushed back into the body as far as possible (I have no idea how this is achieved as I didn’t know there was a hole behind it, but hey, I’m a girl), it is then allowed to ‘pop’ back out, slowly, like a mollusc, in 3D, whilst a background of a sea bed is projected and other creatures are swimming alongside it. I spent an hour of my life watching this. A highlight was when one keen audience member volunteered to get up and try ‘the hamburger’. He duly turned around and dropped his pants to a gasp from one of the two main guys. ‘I don’t know how we’re going to do this, but it’s going to be funny!’ said the professional penis artist. So the audience waited with baited breath for the chap to turn round. A huge collective gasp was emitted as this guys ‘hamburger’ attempt was put up in full 3D on the main screen. He had a ball the size of a grapefruit. No comedy exaggeration going on here – seriously – I thought it was a tumour. One normal ball attached to one grapefruit one. The ‘hosts’ then suggested it looked more like a sperm whale than a hamburger and proceeded to project the sea based images behind it again. WHY would you volunteer if you had one MASSIVE ball?!

Then came my chance to interview the pair. I shook hands with them before I realised my mistake. I then tried to think of questions that wouldn’t make me look prudish – quite a clever one I thought regarding one’s ability over the other due to him being American and circumcised at birth. However, accidentally ‘are your mums proud of you?’ did slip out. The answer was a resounding yes, their aunties loved it as well – everyone has been multiple times. Goodo. One of them then almost convinced me that for him, it was just a regular acting job – ‘I mean, I do film, tv etc. as well’. We talked about their audition experiences and preening regimes and soon enough it was a wrap.

So the moral of this story is – say yes! I now know what people who take their clothes off and make shapes with their penises for a living are like (annoyingly normal, but a little bit more proud than the average person), and also am aware of the fact that people with severe bollock disformity are proud enough to show it to the world as well, in 3D, with sea life background. Hoorah.

http://www.sarahhenley.co.uk/

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Support the Fringe!

June 13th, 2011

There is a lot of debate amongst actors, agents and writers as to whether to do ‘Fringe’ or not. On the downside it generally costs money to be involved in a production – they are often billed as ‘profit-share’ when the ‘profit’ would barely cover your travel card. They involve significant amounts of rehearsal for free, often missing your paid ‘day-job’ to accommodate. Another dis-advantage is that if you are lucky enough as an actor to have an agent, they may resent you for doing it. A friend’s agent has the catch-phrase ‘we don’t do the ‘F’ word’, and she staunchly refuses to go and see anything my friend is in, regardless of reviewers at the Guardian, Independent and the Evening Standard saying it’s fantastic. Cynically I believe this is because the agent doesn’t stand to gain any money from it. However I fail to see how it doesn’t beat their client sitting on a till at Tesco’s, learning nothing and meeting no-one. I think you know you’ve got a really good agent when they not only come and see you, but they bring casting directors along too, and make something of the fact that you’re in a really good play.

As long as you can afford to do fringe theatre, I would highly recommend it. As a writer it has allowed me to see my work up on stage, witness what works and what doesn’t, meet new directors and actors and glean a fair few reviews which help with every application I make for more work. As an actor it’s the same – fringe equals experience and contacts. You will form bonds with directors and writers, and hone your craft, as well as have something to talk about when paid auditions do come up. My boyfriend had the luck (and the skill) to get to work with (THE) Edward Bond on a series at The Cock Tavern last year, which culminated in the world premier of his new play. Most actors would pay for that privilege.

At the moment there is a great fringe project for new writers being run at the King’s Head in Islington called ‘Without Decor’. It aims to premier new writing on an exceedingly low budget at times when the theatre would otherwise be dark. Now obviously we’d all love the National to be knocking on the door, but having a short run in a decent theatre is far superior to having a bundle of un-performed, un-workshopped plays on your laptop, not knowing whether or not they suck. My boyfriend is in one of the ‘Without Decor’ series – the play is called Coffin. Having been told the general outline and the fact that he was playing a nasty drug addict and drug dealer, I dutifully rallied the troops– all my friends, colleagues and family – to come along to the opening tonight. Now they have all booked their tickets he has informed me that there will be full frontal nudity (yes, his). ‘Done tastefully though so don’t worry’. Is there ever a situation in which your mother can ‘tastefully’ see your boyfriend butt naked? Hmm. Anyway, despite the obvious awkwardness of this situation, my mum, my colleagues and my friends will be there supporting; new talent should not be overlooked, regardless of awkward nakedness. Good luck to Tristan Bernays who wrote it – hopefully this will be the first of many!

http://www.sarahhenley.co.uk/

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Interviewing

May 28th, 2011

Having been told that I am being ‘terminated’ (like an unborn child?) from my current ‘job I use to pay the bills, but really I’m a writer’, I have had the joy of finding myself in numerous interviews for jobs I couldn’t care less about, but could do with my arms tied behind my back whilst baking a cake. Sounds arrogant, but it’s not really – due to my ‘other interests’ of ‘writing’ and ‘going to the pub’, and my staunch requirement to only work three days out of seven (any more is un-natural), I have failed to climb to the top of any particular career ladder so am now languishing at the bottom with the detritus of people, fresh out of media studies at Bognor Polytechnic.

Anyway, an interview I attended yesterday proved particularly humorous. It was for the role of ‘expenses administrator’ at a rather large bank in Canary Wharf. I was told that the job involved a significant degree of maths, and that my skills would be perfect. Super. The agency had also sent me a crib sheet of potential answers including, and this is verbatim, ‘When asked for a negative, take the most positive thing about you and turn it into a negative. For example ‘the best thing about me, is that I’m really organised’, becoming ‘my main fault is that I’m really organised’’. Having put this advice in the rightful receptacle, I headed down the road.

There were two guys in the room, one was the boss of the team, and the other a recent recruit. He asked me how I ‘felt’ about maths. I don’t really have a feeling about maths, but I went with it – ‘I feel good about maths’. ‘Great, well we’ll throw you in at the deep end then’. Hmmm. Maybe I didn’t feel so good about maths. He pushed a calculator and a phone bill towards me as the tension in the room increased. ‘Right. Don’t worry if you can’t, because there is training, but I’d like you to use the calculator to get 50% of that total bill (the total was already there), write down the figure, and pass it over for me to check’. Was he serious? Yes. I divided the number by 2 and passed it over. ‘Well done! But could you do 25%?’. He asked that question as if we were on Mastermind. I divided the figure still on the calculator by 2 again. This was met by a ‘wow’, from his colleague. I stifled a giggle. ‘You’d be amazed but most people can’t do that’. Yes I am. And if that is the case, I never want to bring up children in this country.

Secondly, they went on to describe the job. It involved being given a pile of phone bills in the morning, assigning them to different cost codes, and then going home. Sounded pretty boring, but that was until the colleague piped up ‘you do get to see different types of phone bills though’ pause – I was confused, he sought to clarify, ‘I mean, most of the bankers are with Vodaphone, but y’know, you might get the odd O2 bill.’ And if that wasn’t exciting enough – ‘And sometimes there’s even a foreign one in there and it’s like where the hell did that come from?!’. None of this was said in jest.

Finally came the questions that the boss had prepared. These included ‘if you won 5 million pounds tomorrow, what would you do, and why’ – to my response he merely said, disheartened ‘not expenses then’. Err. No. Another gem was ‘name your top three weaknesses’. ‘Err..oooh this is like blind date!’ (no response) ‘I’m fairly crap at power point’. ‘Don’t worry, we have a team for that, it’s not quite what I’m looking for’. ‘Oh, ok, well my desk at work is really messy’. ‘Again, not quite what I’m after’. Racking my brains I remembered the advice I had received from the agency, proudly I retorted ‘The worst thing about me is I’m really helpful’. ‘That’s more like it – too helpful, hmm yes, that can cause problems’. Really?

Having explained at the beginning of the thing that I was looking for part time work so I could write and do NLP coaching as well as volunteer at the local youth centre and do drama workshops, he asked me if I had any hobbies. ‘I’m not super-woman!’. Silence. ‘Err…going to the pub?’. Finally a laugh. I was winning!
Some more inane questions and it was over. I had to show myself out so they could ‘discuss’ me.
I suppose the joy of being a writer is that you can take something positive out of these situations, namely, material. The sad thing for me though, is that creative people, who could be excellent at other more important roles, are being forced to process invoices due to an inflexible system that requires you to work every day, and allows no time for the soul; corporations, and more widely, the world, is missing a trick. Here endeth the lesson.

http://www.sarahhenley.co.uk/

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Beware the Nay-Sayers

May 14th, 2011

This blog is in danger of becoming quite preachy. Please excuse me – I’ve been away on an extremely enlightening and hard core residential NLP course and am now a fully certified NLP Practitioner. Thank you.  It is relevant to writing though, so bear with me.

There was a three week break in the middle of the course in which we all went back to our lives to digest what we had learned and find out what needed to change. I noticed a distinct difference between the enthusiasm with which we went back, ready to put into practice what we had learned, and the slightly deflated feeling in the air on the first day of our second week. Beware the Nay-Sayers.

Nay-Sayers are a certain breed of people who, for one reason or another, are intent on bursting your bubble. They come in all shapes and sizes, so don’t be fooled – your sweet old granny might even be one. They are chameleons, masters of the subtle art of happiness and excitement prevention. They probably have a badge on their underwear a bit like those ‘revenue protectors’ who attack you on the train.

As a writer I have a few goals: to be paid for doing writing, to lead a creative life, to break free from the drudgery of the office and to have my work performed.  I’d imagine these are quite similar to most aspiring writers.

How many of you have had an ‘up-day’ where you thought this was really and truly possible, told your boss where to shove it, and bought a domain name for your latest brilliant idea, only to be told ‘you think people will go for that then?’, ‘it’s a tough world out there’, ‘I suppose you’ll have to give up holidays’, or ‘good for you, how are you planning to pay your rent then?’. SOD OFF.

Nay-Sayers don’t only voice their concerns over big life choices and dreams though, it can go down to the smallest thing, like what you’re eating for lunch – ‘is that an egg?’ –  ‘err. Yes’ – ‘oh right. And you’re eating the yolk?’. How the hell can they manage to sew a seed of doubt in my mind about the very best bit of an egg?! Who eats egg whites on their own?! (I do know the answer to this question by the way, but don’t want to nay-say them out of their dream of being massive, muscley and veiny).

Anyway. It’s just a warning. Look out for them. And if possible, call them on it. Just shout ‘NAY-SAYER! NAY-SAYER!’ very loudly at them when they do it, and see if they stop. Failing that, I have written a poem which, particularly if you don’t recite poetry at people often, should shock them out of their nay-saying state, and probably stop them from talking to you ever again:

A Poem for the Nay-Sayers

Breathe easy. You can’t make me do what you do.

Relax. The shackles that bind you won’t mind if I slip through.

Accept that your assumed lot in life may cause you strife, but

Understand that I choose otherwise.

I opt instead to soar where ants don’t dream to tread.

Who says just because you’ve given up on it, that Freedom’s dead?

http://www.sarahhenley.co.uk/

 

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Comedy Proposals

April 30th, 2011

So watching the ROYAL WEDDING yesterday, tears (of joy?) streaming down my face, made me think I should do a wedding themed blog.

Weddings are funny. I am at the age where a fair few of my friends have decided to tie the knot (noose?), and from the moment of the proposal the comedic stories start rolling in; mother-in-laws begin to assume their stereotype, people are trying to lose weight left right and centre, bridesmaids hate each other and there is all kinds of one-upmanship as far as the two families go.

Proposals are where it all starts. I am personally fascinated by them. It’s all very well for the proposer, who has been thinking about this for ages, may or may not have picked out the ring, has discussed it with friends and generally considered the LIFE LONG consequences of this tiny moment. Less easy for the proposee though, isn’t it? Suddenly in three seconds, they’re expected give a one word decision which will have a (potentially catastrophic) knock-on effect for the rest of time. There is a distinct lack of balance in terms of ‘thinking time’. I have a friend who was proposed to at the top of a ski slope. She launched herself down the mountain at breakneck speed, potential groom in tow, all in order to buy herself those few seconds more time before giving her answer (”yes”). Hilarious.

As well as the ‘thinking time’ disadvantage, something that adds further pressure to the proposee, is the gravity of the event. This is one that people will ask about, their kids will ask, the family will ask, if you’re some kind of celebrity then the trashy magazines will ask too. Your reaction to the proposal has to be cinematic, beautiful, picture- perfect, particularly given all the time the proposer has put into finding the location, ring etc. When a girl I know decided she had waited long enough, she waded into a hot-springs cave, somewhere in the far-east with a ‘proposal rose’ wrapped lovingly in a towel held above her head. She un-wrapped the towel, presented the rose and uttered her four word request. Her beau was surprised. He needed time to think. He had planned to do it in a couple of years. Shit. She chucked the rose at his head and half-waded/half swam back out, wet towel trailing behind her. He later caught up with her (crying in a loo somewhere) and said that of course it was a ‘yes’, he was just a bit shocked. Quite an embarrassing story to have to treasure for the rest of their lives. How different it would have been if he had known it was coming. (Irrelevant I know but personally, if this had happened to me, I would have wanted the man to then say no, and come back at a later date (quite soon) and do a proper proposal himself, rather than trying to salvage what was by all accounts, a train-wreck.)

The trump card in the proposer’s hand is GUILT. They have put their hearts, neck, balls or whatever else on the line, and how bad are they going to feel if they are rebutted. “er…yes!”. How many ‘yes’ answers are given through ‘tears’ (of joy?).
I suppose my advice to any kind of proposer wishing to avoid a comedy proposal is firstly to avoid the element of surprise as much as possible. Secondly, try not to make it too high-key. Thirdly, if she’s crying and saying yes, there might be some kind of inner conflict going on, perhaps try ‘are you sure?’. In fact, all things considered, traditional snail mail might be the best way to make sure as little leverage is being used as possible (but perhaps get it delivered by mister Darcy on a horse to ensure romance and memorability). My advice to proposees is: don’t worry about a comedy proposal, a tragedy marriage is worse! If you say yes in three seconds flat, how much more thought-time are you going to give to the colour of your chair sashes, flower garlands or your bridesmaid’s underwear, than you are likely giving this – a decision that is invariably meant to last longer than you’ve lived to this point already.

I’ve just re-read this. Will now probably end up a cat-wielding spinster.

http://www.sarahhenley.co.uk/

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Talk to the Gremlins

April 20th, 2011

Some of you may know that I have just completed the first part of a hardcore NLP course. This will be of little or no interest to most of you (forced assumption), however, what will interest those aspiring writers among you (another one), is a technique that I learned which has helped me to deal with the nasty bastard gremlin that is PROCRASTINATION.

I don’t know about you, but by the time I get round to writing my script, the house is cleaner than a baby’s bottom (?), I’ve been for a massive run and I’ve done my tax return two months early. WHY is this?

Well thankfully I got to the bottom of it. ‘Parts negotiation’ instructs you to lay out the conflicting ‘parts’ in front of you. In my exercise I had this angelic young (about seven) brunette princess who wanted to write and kept putting hair over her mouth in a shy way, and a nasty comedy sea urchin of a procrastination gremlin with a policeman’s hat and truncheon. The first thing you do is to ask them in turn what they are trying to achieve for you.

Something interesting happened here. Rather than saying ‘I’m trying to stop you writing’, the procrastination gremlin said ‘I’m trying to stop you writing a shit play’. Ah.

After each of them has stated their case, you let them take it in turns to take over the control room in your brain, complete with whizzy chair and all other sorts of knobs and whistles. This allows you to see what would happen if each of them had absolute control. In one, I was churning out all sorts of crap, and in the other I was getting wasted in a pub all day. Neither seemed like a good option.

After that, you put them back out in front of you. By this point the gremlin had morphed into a rather friendly sort of grandpa type army quality control officer. You ask each of them what they would need to have in order to co-operate with the other. My cute little princess said she needed a break, and the quality control man said he needed his voice to be heard. EASY. I managed to persuade quality control man to back off until princess was half way through the play, then he could come and have a look. Deal struck, they shake hands and jump back inside your head (hopefully, or alternatively they become one of the myriad of characters who follow you around and whisper in your ear telling you to do bad things).

Anyway, the writing has since flowed – we (me and the quality control officer) don’t know whether it’s any good or not yet, but the princess is definitely making progress – I might even shave her head now she’s less shy.

I think it was Aristotle who said that the whole is greater than the sum of its parts, and in the same vein, there’s an NLP maxim relating to teams which goes something like ‘all of us is greater than one of us’. What I’ve learned is that this applies to the little team inside your brain as well; even the destructive characters have a reason for their behaviour, you just have to ask them nicely what it is, and see if there’s a better way to get them what they want.

www.sarahhenley.co.uk

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Fruit Shaped Women

April 16th, 2011

Right. I’m back. It’s been an exceedingly long time since I last wrote anything here, but there you go. Having decided to give blogging another bash, I started to read through my previous entries. Oh dear. I hadn’t realised that on paper (or screen rather) I come across as a complete maniac. I’m sure it’s in the editing. To illustrate this I would say that Katie Price and Kerry Katona are my very good friends, and completely normal and intelligent human beings. So please bear that in mind.
Having decided to keep my future blog entries strictly to the topic of writing, I am going to share with you a recent incident. Which in the main is Gok Wan’s fault.

I was sitting doing my incredibly important proper job, when an email popped into my inbox from the boyfriend (same one as last year by the way). It was a big picture of a woman in a massive pear suit – with a stalk and everything.

He had obviously logged onto the computer and found my last viewed site – ‘How to Dress for the Pear-Shaped Body – for Dummies’ and decided that this particular bruise was worthy of a poke. My friend, who understands my fear of clothes and shopping (as I write this I am wearing my favourite elasticated starred blue pyjamas and a red spotty top with pink totes socks), had decided to try and help me. In addition to sending the ‘dummies’ site to me to read, she wrote: “These are the kind of clothes you should be looking at….Pencil skirt. Top with shoulder pads. (evens out the dimensions), Wide legged trousers/jeans, A line skirts/pleated skirts/puffball…”. Puffball? I thought, sweat forming on my brow, isn’t that a cheesy snack?

However, the nice thing was, that I was able to call the boyfriend and inform him that I in fact was not a pear, and his very mean joke was therefore inaccurate and unfunny. You see, not overly happy with having been branded a ‘pear’ I typed my measurements into the ‘body shape calculator’ and got the following message ‘sorry we do not cater for your body shape here’. To conclude, my body is like Russia – a mystery wrapped inside an enigma – and it will not be put into one of your fruit shaped boxes GOK, so there.

As for my writing, it’s coming along nicely at the moment, due to a brilliant technique I learned on a recent NLP course – parts negotiation – which I will tell you all about in my next blog. Also, I have a new website – http://www.sarahhenley.co.uk/.

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Virgin Director

December 31st, 2009

First I would like to apologise to anyone who reads my blog for the complete lack of updating in recent weeks. This is due to the fact that I have been working hard for ComComedy and also directing a show – not because ridiculous things have stopped happening to me, or that I have stopped my useless commentary. A mere break. Hopefully I will be more reliable in the new year. And write a play, buy a house, go to India, get a puppy, and quit my day job. In no particular order.

So I thought I would briefly go into my first experience as a director – I directed a street panto that was performed outside in Primrose Gardens throughout December to some very excited children and some (potentially less) excited and exceedingly cold grown-ups. As it happens we pulled it off – the reviews were great and the feedback was excellent. However, I found being a director a lonely job, especially when you have been thrown into the role and really have no idea what you’re doing.

The main problem with it is that no-one really likes you. As an actor you spend all your time thinking about who in the cast is eligible of your attention and/or a useful contact for future work and taking every possible moment to chat them up whilst ignoring the slightly odd and fairly motley crew (backstage people). As a crew member you spend a lot of time drinking, frolicking and making odd costumes such as spaghetti yetti out of mop heads with other crew members and the rest of the time staring at the actors and making them feel uncomfortable.

The cast don’t overly want to socialise with the director because they disagree with most of the decisions you’ve made. In addition you’ve spent the whole weekend bossing them about without breaks and telling them that their concerns about this or that (being wheeled in on a trolley in in a giant, but not quite big enough to stand up in, dark box and appearing in a magical puff of smoke with very little cue for example) are not worthy, without actually finding a solution. The crew don’t want to socialise you because you are one who has insisted on having a real fish in a bag as a prop which they will have to catch prior to each show and the reason they have to spend hours sourcing props in the 99p shop.

Add to this is the fact that some of the cast were in fact my friends, flatmate, boyfriend’s flatmate and indeed boyfriend who are not used to thinking of me as an authority figure; I ended up hanging around like a lemon in breaks and after rehearsal drinks with no friends, staring awkwardly at my phone or drinking way too fast.

So would I do it again? I think so. But I’ve learned two things. Firstly probably not to work with friends – it’s very awkward bollocking them for not turning up to a rehearsal (in the full knowledge that their excuse is a lie) and then trying to have a meaningful conversation about Strictly Come Dancing around the kettle later on. However, the relationships between them are excellent on stage and you know they’re going to do a good job. Secondly, all the awkwardness seems to go away as soon as the show goes up and the audience likes it. You’re not in charge anymore (they can say what they like and you can’t do anything about it), people like you and all is well with the world.

Happy new year!

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Boo Emily Pankhurst

November 3rd, 2009

My physiotherapist (for the stab and horse riding injuries I will surely discuss another time) was talking about the wonderful Pride and Prejudice (TV version) with Mr Colin Firth Darcy this morning. He’s from South Africa and loves the ‘britishness’ of it all. I love it too. It wasn’t that long ago that women were sipping tea, wearing frilly dresses and eating cucumber sandwiches. What happened? Emily Pankhurst, that’s what happened. Boo her. If it wasn’t for her and her merry band of feminists I would have all the time in the world to write majestic comedy under a sudonym and would have overcome my fear of playing the piano in public. In addition I would have a handsome man providing for me and riding around on a stallion. I would be far more buxom than I am and much prettier due to having regular amounts of food and sleep and not putting my skin through the trauma of the germ ridden pollution of the tube on a daily basis.

Take last Friday for example. I got up at 6am in order to reply to emails and redraft a script for a reading next week. Then, having done the minimum that could be considered acceptable in terms of grooming I head out into Canary Wharf to do my proper job. Which isn’t funny (for me anyway). At lunchtime I go to meet two actors to try them out for the Shoot on Saturday. One is an ex bodyguard who is used to being shot at in Columbia, and the other is wearing sandals and socks (I think/hope to get into character). We read the script and laugh a lot. I then put my semi-serious work face on and go back in. Afternoon non-fag break involves going to the toilet with iPhone and sending call times for the weekend. After work I head into Camden to pick up pink hair, false eyelashes and neon face paint for the DJ sketch all the while humping my laptop three sets of clothes (I never know where I’m sleeping) and a million other things I seem to need these days. Bikram yoga, 42 degree heat (because despite being welcomed with open arms into the world of men as far as paying your way is concerned, women are not welcomed into the world of it being OK to have beer guts and flabby arses). Head home, sweating, inglorious – my flat mates are having a sword fight (with real swords in preparation for the ComComedy launch night) in the living room. I decide to take refuge at the boyfriend’s – he is ironing sparkly studs onto a dance belt – ‘do you think it’s worth going right up the g-string bit babes?’. Not at all civilised, and at no point did I have a cup of tea and look into the middle distance in a dreamy way saying ‘I think I’ll tell Giles we’ll have a cold supper tonight’.

The boyfriend in his ever tactful way remarked the other day that my arm muscles were protruding from my top in a manly way. My co-writer is calling me a ball-buster. Get me a time machine. Now. However, knowing my luck it would transport me down into the scullery where I would be furiously putting wet things through a mangle.

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With Great Power Comes Great Responsibility

October 16th, 2009

Generally I feel that being a woman allows me a distinct advantage. Apart from a monthly cycle of pain wrought with uncontrollable emotion, comparable weakness in most physical activity and an extreme empathy which means I can’t walk past a charity worker or homeless person without emptying my pockets and signing up to a direct debit that is. In the world of comedy and writing anyway being a woman is normally a definite bonus. This is mainly because there aren’t many. I would say that probably about 5 percent of the London Comedy Writers are women, if that. In addition to the advantage of the very few numbers of women in the group, we can add the standard personality traits of the average male comedy writer. I won’t list them as it may be offensive, but I will say that it means that, despite being disgusting, unwashed and poorly dressed after a day at the bank, I get very well treated indeed at every meeting – like a rare species of bird.

Speaking of birds (dead ones, not rare ones) brings me to a recent time on a ComComedy shoot when the tables turned, and my being female was most certainly a disadvantage. There were two women on the shoot – me and a rather beautiful actress called Kate. The other fifteen or so crew and hangers-on were all men (boys). So the thoughtless writer of the sketch in question had ended his script with the mid-flight explosion of a couple of pigeons. Silly Mark Leeson. So we aimed to have a splattering of blood (ketchup) on the face of the actor as he visualised the bird exploding above him. I said that blowing ketchup into Mark’s face sounded like fun, and nominated myself for the task. My mission was to blow a straw full of ketchup into Mark’s face at the same time as throwing a handful of feathers at him whilst keeping out of shot and avoiding his rather posh coat. Easy. This was my moment, pulse racing, beads of sweat forming on my brow. And ‘ACTION’. Oh dear. I managed to blow the ketchup onto his shoulder (posh coat and continuity ruined) and throw the feathers in the air. I think he moved his face, but I was ridiculed for my girly lack of ability at aiming condiments. Boo. I would like to say that most of them have been aiming something else (wee) out of a tube for their whole lives at a hole far greater than the size of a mans face, and, in my experience, seem to miss a lot of the time. So there. After various attempts we decided that actually a better way would be to make a tennis ball sized patty of feathers and ketchup and throw them at the actors faces at the time of the supposed explosion. The boyfriend had one patty and I had the other and we each had an actor’s face to throw it at. Of course boyfriend managed to splat Mark perfectly in a very true to life pigeon explosion kind of way. My patty did hit Kate in the face, but not really with the force of a real life explosion and it kind of rolled onto her shoulder. There are two reasons for this, both of which relate to my being female. The first is that I didn’t really want to injure Kate with my pigeon patty. The second is that I’m not as sporty as the boyfriend and was worried about the accuracy of my throw at speed. I was ribbed about this, and will inevitably get the blame if they can’t edit a decent pigeon explosion out of the takes that we did.

The moral of the story is, whilst it might seem fun to volunteer to splat someone with ketchup on camera, with great power comes great responsibility, and only a man (or potentially a very skilled athlete type woman) can do it well.

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