Posts Tagged ‘deadlines’

Ides of March

Thursday, January 14th, 2010

So with time to catch up on what we wished we had done over Christmas tonight we all exchanged scripts which makes for some interesting reading and a reality check.  As the agreed deadline approached the heads bowed and the laptop keyboards received more abuse than they had in weeks.  “Can you guys touch type? Because I totally can.” was one of the few utterances in otherwise concentrated silence.

Deadlines do work damn it.  Maybe we should have hourly deadlines to encourage this frantic pace.  For the first time in a long time all three of thought we did a good day’s work. Yay us.

Not only that, we are also talking major deadlines for completing this thing. We are now publicly stating this thing will be ready in March.

Tomorrow morning we will sit down and have good read. Hopefully we will see a great story arch spanning 3 episodes and we will know we are one step closer to closing the gap on the structure issues and we can move on start putting in the gloss and sparkle.

New Year’s Revolution

Friday, January 1st, 2010

So December with all its glittering Christmas distractions made the end of the year slightly unproductive, which even when looking at what we have created over the past year it was still a downer way to end the year. Although I could blah on about last years regrets and missteps, I think that sort of thinking is so the Noughties.  We are in the… Tennies(?) now.

So here is the deal, the coffers in the kitty are low and I am really looking at 3 months to make this series happen. Don’t worry I am not so deluded that in those three months I think we will finish everything and sign a lucrative deal for 5 series with the BBC.  However, I do think we will finish the scripts, get real readings done, put together a kick ass pitch document and blitz anyone with money, power, vision and talent.

So this means no more slacking, focus all the way.  To help I have brought on a mentor of sorts.  He has one role and that is to demand pages everyday and slap me round the face when they don’t come.

In our small group we have often mentioned this lack of an authority figure as one of the problems we have had in not getting work done at a pace we feel we can realistically achieve. We look at the days where we have been mega productive and ask why can’t we do this everyday? The bottom line is we are our own bosses, and unfortunately we are the bosses you would love to have.

Want to start work late because it was cold outside? Fine.

Need to leave early to get ready for that dinner date at 9? No problem.

Want to sit around and play computer games? Excellent idea, we need to take a break from all this work anyway.

All of that aside, it takes a lot of discipline to do what we have done on spec. We could have rushed this through, but then it would be the same sort of stories and characters we started this to avoid. No one is paying us wages and yet we have found a way to scrape by to fulfil our dreams of being writers.

So roll on the Tennies and may they be far more productive and lucrative than the Noughties.

Writing for Deadlines and Writing for Fear

Friday, October 16th, 2009

When author Anthony Burgess was diagnosed with an inoperable brain tumour and given a year to live he turned to writing to give his wife some royalties after he died.  He figured out that if he wrote just 1000 words a day, in a year he would have  3 and a half novels.* Motivated by this death sentence Anthony Burgess wrote The Doctor is Sick, Inside Mr Enderby, The Worm and the Ring, One Hand Clapping, The Eve of Saint Venus and most famously A Clockwork Orange. As you may know, Burgess defied the doctor’s diagnosis and went on to live for another 30 years, and remained a highly prolific writer.

One of the toughest things about writing the way we have is that we don’t have deadlines. There is no producer standing over our shoulder telling us we need to have a finished script done by next week. So what does it matter if next week turns into next month? It matters because we know we can do better. This week we set a goal to do a rehearsed reading; 3 weeks to get 3 scripts up to scratch.  Now we have a deadline. But is it really a deadline? We have been here before, every time we start to panic that we are taking too long, money is running short or another project looks more tempting. We know that if we miss this deadline no one will get fired, instead the deadline will be moved and we will conclude that it is in the name of quality.

So dealines have issues which brings us to fear. We can’t organise a reading in a couple of days, this takes a couple of weeks so we have to start now and with the actors in place we can’t cancel. These scripts will get read no matter what, plot holes, character inconsistencies and typos; hopefully they won’t be there, but we will have to accept it if there is.  We need to hear these scripts, have an opportunity to step back from the computer and enjoy the fruits of our labour as it is brought to life.

A deadline we cannot move should give us the fear to meet it.

Despite the death sentence looming down upon him, Burgess quickly discovered another motivator to help him get those 1000 words a day down faster.  He discovered if he set down to work first thing in the morning he could have his quota done by lunchtime, he would then head down to the pub and spend the rest of the day drinking beer. This is I a guess a really good example of “the carrot and the stick”. Fear is the stick and helps to get you off your ass, but don’t forget the rewards because we are suppose to enjoy this process.

Look out for my next blog “The Fallen Soldier”, due early next week.

* I have 3 copies of A Clockwork Orange and one copy of the play, annoyingly  the copy that has the Burgess introduction where he tells this story is missing so the 1000 words a day is from my memory, it might have been more, but 100,000 words for a novel sounds about right. It is also worth noting that while he wrote all the books during this time, he did not actually finish and publish all of them in that period and some were based on earlier works. Still, it is impressive what you can do under pressure.


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