Review: Love Bites

July 11th, 2011

The void left behind by Sex And The City is still felt some 7 years later, where does one turn for girl chat after replacements such as Lipstick Jungle and Cashmere Mafia failed to find an audience. It seems that TV  producers have been happy just throw vampires at this audience, but former Sex and City exec producer and writer Cindy Chupack decided enough is enough and created Love Bites… don’t worry there are no vampires, it is just a title.

Sometimes I know something about a show when I sit down to watch it and sometimes I know nothing, this was the case with Love Bites and that feeling of not knowing continued through most of the episode.  The script starts with bunch of friends on a Hens night, but before they get too rowdy the bride to be falls asleep and the only one who still wants to go clubbing is the pregnant Annie, her friend Cassie is tired of being upstaged by her friends belly so tells a guy she is a virgin. The story then follows the ramifications of this lie and how Cassie and the guy try to figure out their next move to result in sexual bliss.  At this point I start  to wonder what happened to the bride to be and the pregnant Annie as there are no cutaways from Cassie’s story which comes to close when she admits the lie. The next thing I see is a new character talking about how he and his wife can sleep with a celebrity of their choice if the opportunity arises.  Of course the opportunity does arise and the results are much less funny than that episode of Friends where Ross gets his chance with Isabella Rossellini.  Then the story shifts again and I release that this is not one episode but several little stories on the theme of love, kind of like Creepshow for girls.   Anyway in the last part we return the to the bride to be and discover she just had her first orgasm with the help of a vibrator.

Apparently this was not the format of the show Cindy Chupack had originally intended, it was suppose to me a regular show exploring love and relationships of singletons Annie and Cassie,  but after cast members left for various reasons, a pilot was made and rejected, Cindy left as showrunner, the whole thing was retooled into the format now which finally premièred 8 months late. The show was watch-able, if predictable with no real ongoing drama, it is simple watch out the corner of your eye while you doing something else.  It doesn’t challenge expectations and mostly left me wondering about more interesting characters and stories that were discarded along the way. Instead of giving us rich interesting character development we have a series of C stories, the plots that were not quite interesting or fleshed out enough to carry a full episode.

Officially the show has not been cancelled but viewing figures have been dipping every week and it looks likely that the original 9 episodes made may also be the last.

Created / Written by: Cindy Chupack
Directed by: Marc Buckland
Starring: Becki Newton, Greg Grunberg, Constance Zimmer
Date premièred: 2nd June 2011 (NBC)
UK Details: TBC

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Review: Teen Wolf

July 5th, 2011

Right, I’m a little behind on all the new shows that have stared these past few weeks, so despite an already busy schedule I will attempt to get a review out everyday until I have caught up.  Starting with MTV’s re-envisioning of the Michael  J Fox 80s classic Teen Wolf. MTV have been waggling some large toes in the drama pond, earlier this year they had their take on Skins and next month they have Death Valley, this is quite a departure from music videos and “reality” shows that have made up the bulk of the channels output up till now. So is Teen Wolf an exciting and invigorating take on a nostalgia inducing classic or a derivative supernatural teen angst show riding on the coat tails of Twilight?

Scott is getting ready for his first day back at school when his best friend Stiles invites him to go looking for a dead body in the woods, this leads to a werewolf attack and as expected Scott quickly develops super human like reflexes on the lacrosse team, he can hear better, smell better and heal faster. When new girl, Alison, comes into the school, Scott is instantly infatuated, so when she turns up at the veterinarian a where Scott works with a dog she ran over he is able save the dog and get a date with the girl.  Of course this date falls on the night of a full moon and his werewolf side comes forth and he quickly leaves the party.  Fearing Alison is in trouble Scott, now in werewolf mode, runs into the woods to find her only to be confronted by werewolf hunters, he is saved by the werewolf who turned him and realises he has a lot to learn about being a wolf.

Other than the names, Teen Wolf the series has little resemblance to the film. Originally the werewolf was inherited rather than being passed on by a bite, Stiles was a pro wolf party animal, rather than the book searching, cautious side kick.  Sport still lies at the heart, but you can’t help but feel they could have picked something better than lacrosse.

It is not surprising to learn that the series has been developed to have more in common with The Lost Boys than Teen Wolf, this is a darker show with most scenes shot a night or on grey days. Tyler Posey who plays 16 year old Scott is happy to show off his sculpted torso, while love interest Alison, played by Crystal Reed, spends scenes sans bra. Darker, sexier and derivative – yes , this is MTV making a quick buck off the recent trend for vampires and werewolfs by grabbing the rights to the title of an 80s comedy and then throwing everything else away.  Looking for something that stands out in the show is hard, this is might as well be any one of dozens of teen angst dramas, but with a werewolf thrown in.  You have seen all the characters before, the jock, the Billy everyteen, the new girl who has moved from school to school, the comedy sidekick etc…

I give Teen Wolf five silver bullets and hope it can be put out of its misery.

Developed by: Jeff Davis
Written by: Jeff Davis and Jeph Loeb & Matthew Weisma
Directed by: Russell Mulcahy
Starring: Tyler Posey, Crystal Reed, Tyler Hoechlin, Dylan O’Brien, Holland Roden, Colton Haynes
Date premièred: 5th June 2011 (MTV)
UK Details: TBC

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Review: Happily Divorced

June 24th, 2011

The new TV season is rapidly landing upon us and as reported in the London Comedy Writers Newsletter the hot new theme for this year is the comedy gold topic of divorce. First horse out is soft comedy Happily Divorced from the throwback channel TV Land.

Happily Divorced

Happily Divorced

So here is the premise, Fran is happily married until late one night Peter, her husband of 18 years, confesses that he is gay.  Rather than dwelling on the crisis of a man dealing with his newly found sexuality it becomes a “comedy” about a couple divorcing – except the economic crisis means they can’t afford  to physically separate and he moves into the den.  We pick up 6 months later where Fran is now a fully fledged fag hag, he now a stereotypical  metrosexual with a gym membership, shaven chest and regular at sing along a Sound of Music.  The horribly stereotypical  Mexican delicvery boy still hangs around doing his best to be as offensive as possible, (on side note check out this video about a similar role in Seinfeld) and in an effort tick every box we have Fran’s best friend a black woman with attitude.  Anyway Fran starts dating again and goes to fancy restaurant where a stuck up French waiter ruins the night when he has an allergic reaction to as a truffle. But alls well that ends well and they make up. Peteris fine with his ex-wife dating and she finds a real man (he rides a motorbike and wears a leather jacket – he is basically an ageing Fonze.)

Shockingly filled with sterotypes, I was quite surprised to learn that the series is based on co-creators Fran Drescher and Peter Marc Jacobson, who had been high school sweethearts and then married in 1978. They divorced in 1999. Jacobson later came out as gay to Drescher and the two remained friends. Sadly this in no way translates to the screen, a series of poor one-liners, leads to a show that is predictable and forgettable. With 10 episodes order I would not be surprised to see it end there.

Created / Written by: Fran Drescher, Peter Marc Jacobson
Directed by: Lee Shallat Chemel
Starring: Fran Drescher, John Michael Higgins, Tichina Arnold, Rita Moreno, Valente Rodriguez, Robert Walden
Date premièred: 15th June 2011 (TV Land)
UK Details: TBC

 

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Review: The Cape

January 23rd, 2011

Superheroes are still the rage in film but with every random Marvel and DC character being snatched up for big screen makeover TV is left to create their own characters.  With X-Men clone Heroes coming to an end last year and Smallville on its climatic final series, the field has been thrown open to next generation of TV grade superheroes.  First up was a live action version of The Incredibles “No Ordinary Family” (I know it isn’t really, so don’t get smart) , which time dependant, I might get around to reviewing, but more recently was the long awaited “The Cape”. Yes all the good superhero are names have been taken.

The pilot of a superhero drama is hard to review because it is the origin story and more time than usual is spent explaining everything and it is also diabolically predictable.  Vince Faraday is a good cop close to tracking down the identity of super villain Chess, who behind is mask is the CEO Ark Industries a company set on privatising everything aspect of city life, including the police and prisons.  When Faraday finds out the truth he is captured dressed in the mask of Chess and hunted down by the police – who clearly use a shoot now, ask questions later mentality.  Anyway Faraday is caught in and explosion and presumed dead, leaving behind his wife and comicbook loving son. Saved by a hoard of circus freaks he is adopted into their ranks where in matter of days he bests them in circus skills and unable reveal his identity, he becomes The Cape, a masked vigilante who will show his son that there is still good and hope in the world.

If you are wondering what superpower The Cape possesses then you obviously didn’t think hard enough about his name. Yes, his superpower is the ability flick a cape to trip people up, snatch guns from their hands and to look cool.  He is also armed with an arsenal of circus skills like escapology, balance and bare-knuckle fist fighting.  The script moves at breakneck speed and not in a good way, the events drive the story far more than the character’s motivations, with things happening so fast you barely have time think how absurd everything is.  Why is the circus dedicated to robbing banks? Why do they push Faraday into being a crimefighter? Why is good cop Faraday happy to help this circus of bank robbers? Why doesn’t Faraday come clean? – the only evidence they have that he is Chess is that he wore his mask. And on and on.

There is a definite whiff of camp to this show that has more similarities to the 1960s BatmanTV show than Christopher Nolan’s Dark Knight , the music is over the top mental and the characters colourful cardboard cutouts. Overall the success of the show will depend on how seriously it takes itself and how seriously you take the show, don’t get me wrong there is nothing fresh here and it is every bit as predictable and formulaic as you think it will be. If you don’t want to think, don’t worry switch off and just laugh at the absurdity.

This superhero thing has to burn out really quickly, it is destroying cinema and now it’s leaking on TV with it’s unfulling and uncreative storytelling.  Let’s see if I can guess 90% of the plots for the first series.  A new supervillian comes into town and The Cape vanquishes him. Cheque please.

Created / Written by: Tom Wheeler
Directed by: Simon West
Starring: David Lyons, Keith David, Summer Glau, James Frain, Jennifer Ferrin
Date premièred: 9th January 2011
UK Details: TBC

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Review: Detroit 1-8-7

October 14th, 2010

Gritty cop drama in motor city

Detroit has been getting a fair amount of drama love due to its fall from grace as the heart of American manufacturing.  Last year they had Hung which led a teacher to turn to prostitution and this year we have the police procedural, next up is Detroit 1-8-7. The selling point is the crazy high murder rate and a return to our screens for The Sopranos alumni Michael Imperioli.

The plot is simple enough, the cops arrive at the scene of a double homicide in a pharmacy, at first it looks like it was the result of a botched robbery, but seasoned veteran Detective Louis Fitch suspects more is at hand and robbery was not the motive. As is always the case, there is a rookie in the precinct who is eager to prove himself to the less personable Fitch, Fitch offers all his advice via a phone call, even if only standing a few feet away. A third murder on a bridge is being investigated by Sergeant Longford and Detective Mahajan but when forensics link the crimes they find their suspect and track him down a confrontation with hostages.  Fitch puts his life on the line to negotiate, bearing a darker side to his unknown personality.

When compared to other new police procedural dramas this season, Detroit 1-8-7 is by the far the grittiest, most the action takes places at or on cloudy days making it feel rundown and depressing even during scenes of comic relief. This at least sets it apart from the competition in some respect, but in real story terms there is nothing new here to get overly excited about – it is the same old story in different packing. Further more it is still network television, so although it tries to be gritty it can’t quite extend down to the depths of FX’s The Shield or HBO’s The Wire, it tries to appeal to a larger audience perhaps trying to capture the audience who loved the father of modern police procedural drama NYPD Blue.

Some of the best comedy can be found in drama, this is often due to well thought out characters rather than set ups and punchlines which can feel unnatural and forced funny.  Amongst the grit of the pilot there is a fair amount of humour from both Fitch and Washington as they struggle to find a way to work together.  This is really important as the darkness will only feel dark if we have light to compare it to.

Imperioli is very welcome back on our screens and it is great to see him turn to a brooding thinker rather than the rash ambitious gangster, he plays his silence well and lingers in your mind long after the after characters are forgotten, for they are not nearly so well drawn.  There is an  interesting scope and darkness to be pealed away to reveal why the character keeps those around him at such a distance.

What is interesting is that the show was originally envisioned and shot as a faux documentary, but abandoned this after the city of Detroit banned camera crews from following real officers after a controversial police shooting during filming of the A&E documentary series The First 48. Scenes from the pilot were re-shot,  but from time to time remnants of the concept survive. Although we have lost scenes such as Fitch grabbing one of the documentary cameras to smash a car window that brilliantly break the wall and show us something we have not seen before.  This shift in focus has still not fully happened in the pilot and we are left with is a show that is either evolving or devolving in front of our eyes. Right Detroit 1-8-7  has more promise that most cop shows, but falls far short from the best.

Created / Written by: Jason Richman
Directed by: Jeffrey Nachmanoff
Starring: Michael Imperioli, Natalie Martinez, Jon Michael Hill, James McDaniel, Aisha Hinds, D.J. Cotrona, Shaun Majumder, Erin Cummings
Date premièred: 21st September 2010
UK Details: TBC

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Review: The Defenders

October 3rd, 2010

Showgirls and show trials.

The legal drama just keeps on coming, CBS has dished out The Defenders a premise that sees two Vegas defence lawyers fighting for the everyman in Sin City.  Based on a real Vegas lawyers Cristalli & Saggese (their website proudly displays many adverts for the TV show as well as photo of the pair looking like news reporters), the show takes a slightly more comedic approach to the popular legal genre.

In the first episode we are introduced to the two lawyers, ladies man Pete Kaczmarek (Jerry O’Connell) and Nick Morelli (Jim Belushi) who is dealing with the break-up of his marriage.  The case before them is of a young man accused of carrying out an execution style murder by shooting someone in the back.  A plea deal has already been agreed to that would see him serve a limited sentence, but the man maintaining his innocence wants to go to trial.  Before the judge his lawyers change his plea and the trial is held straight away.  Through the usual legal wranglings the two lawyers are able to frame the case as involuntary manslaughter and since this is not a charge the jury have option of convicting him on they find him innocent.

Back in the 60s CBS produced another legal drama called The Defenders, the show dealt with controversial topics such as schoolteacher fired for being an atheist, an author accused of pornography and a physician charged in a mercy killing. The Museum of Broadcast Communications called it “perhaps the most socially-conscious series the medium has ever seen”, now along comes a show about lawyers fighting for plea bargains, reduced sentencing and giant billboards featuring photos of them ready for a fight. It seems like a giant step down for the humble title.

This comedy drama really doesn’t bring anything exciting or  new to the table, the opening case is no game changer for the pair, they are not personally invested in what this boy’s future holds and it makes some of their decisions and tactics callous, but since this a by the book event led drama those decisions are always for the best and help speed the plot its highly predictable climax. The over arching series storylines are no more spectacular, Pete is a playboy and Nick needs to get over his divorce; their new advertising blitz is getting them noticed and their new employee and former stripper will have a struggle getting familiar with how the guys work.

The premise of the show is see normal guys defending normal guys and while the title characters come off well with a nice father-son style relationship, the backdrop of Vegas and courtroom setting offers little new or interesting ground to tread. This show currently goes up against The Whole Truth, and while I am no fan of either show, at least I didn’t know how The Whole Truth was going to end.

Created / Written by: Kevin Kennedy, Niels Mueller
Directed by:  Davis Guggenheim
Starring: Jim Belushi, Jerry O’Connell, Jurnee Smollett
Date premièred: 22nd September 2010
UK Details: FX 2011

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Review: The Whole Truth

September 30th, 2010

Its a game for lawyers when lives are on the line.

Can’t get enough of legal drama?  Well don’t worry because in the second of three new shows about lawyers we have The Whole Truth. I don’t know where they get all the fresh ideas from.

The Crime: Family man and teacher Glen Sellards is arrested accused of murdering and desecrating the corpse of one of his students.  The prosecution is led by district attorney Kathryn “Katie” Peale (Maura Tierney), she is sure of his guilt and tries to slap a few more crimes on the table. The defence is led by Jimmy Brogan (Rob Morrow)  who fights hard to discredit evidence and push for an acquittal.  We follow both sides as they make discoveries and mistakes, we watch them bait and taunt each other before going to trial to hear the arguments. After the closing statements we wait to see what the jury thinks before yelling at the screen that they were wrong.  After the trial the two lawyers come together for a drink where they congratulate each other on a well fought battle. Before leaving the episode we are given one final scene, revealing crucial evidence missing in the trial that would have made a dramatic impression.

In trying not to give the ending away I have probably given you the breakdown of every episode in this series.  It doesn’t matter how they argue the case, because ultimately the events seem out of their control. The trouble with shows like this is few trials go down like this, the case in question has so little evidence that it probably would never be put up, all the evidence is circumstantial, the teacher maintains his innocence and no one has any idea of motive – basically it could go either way.

As for the two main characters, the District Attorney is suppose to be a workaholic, although I saw very little of this and there was certainly no sacrifices made in her private life for the trial.  The ego driven defence lawyer is marked by his quirky tastes, a basketball hoop over the flatscreen in his meeting room and the red trainers he wears to court. Despite the title, neither seems concerned with the truth, just in winning their argument, because of this, there is no emotional core, we don’t know where our sympathy is suppose to lay, so the conclusion ends in a “meh”. There is no puzzle to solve since the crucial evidence is revealed outside of court, like the jury you are weighing up evidence, but unlike the jury you don’t have the burden of sending a man down for murder.

Another average show in a season of below average shows.

Created / Written by: Tom Donaghy
Directed by:  Alex Graves
Starring: Rob Morrow, Maura Tierney, Eamonn Walker, Sean Wing, Anthony Ruivivar, Christine Adams
Date premièred: 22nd September 2010
UK Details: TBA

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Review: Outsourced

September 29th, 2010

Racist or reality check.

Mumbai Calling is about a call centre manager sent to India in order to manage the jobs that have been outsourced. But enough the 2008 ITV comedy, this is about the fresh ideas that roll around in America’s week of pilots.  Outsourced is a totally different sitcom in that was based on a 2006 movie of the same name.

Todd Dempsy returns to work after a management training course to find all the call centre he was to manage has been closed down and outsourced to India, luckily for Todd his job is safe, just as long as he willing up sticks and move to India.  Arriving in the new country he is given his ragtag gang of Indian call centre employees ready and willing to sell American Novelties to American customers.  Very quickly it becomes evident that the employees need to understand Americans and American excess if they are going to be able to sell the crap (probably made in China) that Americans want to buy.

When trailers for this show started airing there were voices of opposition complaining about the stereotypical nature of Indians and Indian culture shown in the adverts.  Having watched the show I thought the call centre characters were not far from the crazy selection you would expect in any run of the of the mill office sitcom and I kind of think America comes off far worse. America looks like a country on a downward spiral as its manufacturing jobs are sent over seas with many other jobs following in hot pursuit.  All the time American spent money on cheese heads, foam fingers and fake poo, the Indians have been working towards a better country (don’t get me wrong they are long way off but they are moving in the right direction). As America struggles with over 10% unemployment a comedy about the people who have been given those jobs seems very misguided. In one scene man calls wanting to order an “American number 1 cup” and is very angry that he has to call India to get it. Its understandable and I wonder if Americans viewing show get that they are being portrayed as an ignorant, greedy, glutinous mass desperate to throw money away on nonsensical novelties rather than rebuild the infrastructure of their crumbling economy.  Too political?

Ignoring that the show is a bog standard,by the numbers look at office life that fails to live up to the standards set by the show it follows… The Office.  Nothing new here, except a depressing reality check.

Created / Written by:Robert Borden, George Wing, John Jeffcoat
Directed by: Ken Kwapis
Starring: Ben Rappaport, Rizwan Manji, Sacha Dhawan, Rebecca Hazlewood, Parvesh Cheena, Anisha Nagarajan, Diedrich Bader, Pippa Black
Date premièred: 23rd September 2010
UK Details:

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Review: My Generation

September 29th, 2010

Certainly no Spinal Tap.

In 2006 CBS produced a sitcom called the Class which reunited a group of friends 10 years after they finished school and went their separate ways, now in 2010 ABC has taken the same premise and wrapped it up into a comedy-drama mockumentary.

The premise of the show revolves around a documentary team that followed a group of kids in their final year of high school, they talk about their dreams, ambitions and hopes for the future. Now ten years later the documentary team have tracked down the group to see if their life panned out the way they imagined it would. In series of set ups and reveals we see the jock is now in the army, the brain who wanted to be a scientist now works on capitol hill, the beauty queen who ended up marrying the rich kid and the overachiever who works in a bar. The main plot of the pilot centres on the nerd who wanted children but finds out he infertile and the revelation that the quiet wallflower gone pregnant on prom night and the dad doesn’t know.

Although this played as a “documentary” it feels very scripted, the documentary side is shown by shaky hand held camera work and bad angles, although this illusion is shattered by the use of multiple camera angles. That said even term mockumentry is a little bit misleading, before watching the show I was expecting a sitcom and then what started as comedy had a dramatic shift into drama that I was not expecting.  Over all this show feels incredibly contrived, what are the chances that a group of random students should have their life  pushed in such radical directions by the  events of the first decade of the millennium. Career changes are made because Bush vs Gore election, the events of the 9/11, the collapse of Enron and the second season of the bachelor. There are bonds that keep characters together that don’t really hold true and such participation in the documentary leaves the characters having incredibly personal interactions in front of the ever present camera crew.

With such an eclectic cast to keep track the show takes the short cut of labelling them with their most obvious high school trait, this leaves us with the jock, the nerd, the brain etc. the show then plays on these stereotypes. The first episode takes on the theme of parenthood as one character realises he will never be a father while the girl he secretly loves is on the cusp of giving birth and another character learns that he is the father of a nine year old child.  How convenient that these revelations should happen just as the documentary crew turn up.

I have worked in TV and know how fake real docu-dramas can be – show like Jersey Shores, the Real Housewives, Hogan knows best are all massively manipulated by the producers and it would have been more interesting to see how these people manipulate their subjects to make a gripping TV show.  We should have seen the reluctance of the cast to want to participate in these confrontations rather than scripting it to feel “real” it should have been scripted to feel fake.

UPDATE 3/10/10 - My Generation becomes the second series to be axed after episode 2 lost 31% of its viewers. Its tough slot, going up against established shows Bones, Big Bang Theory and Vampire Diaries had condemned it to fail before it even started… does not mean the script did not hold some blame too.

Created / Written by: Noah Hawley
Based on: God’s Highway (Blomstertid)
Directed by: Craig Gillespie
Starring: Daniella Alonso, Mehcad Brooks, Kelli Garner, Jaime King, Julian Morris, Keir O’Donnell, Michael Stahl-David, Anne Son, Sebastian Sozzi
Date premièred: 23rd September 2010
UK Details: TBA

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Review: Lone Star

September 27th, 2010

“My Mom also loved it and she LOVES America just like you.” -Kyle Killen (from an open letter encouraging fans to tune in for the second episode)

The pilots last year were heavily dominated by medical dramas, this year it is police procedural drama, I don’t know why these type of shows continue to dominate the schedules and while more interesting concepts fail to take hold.  Knowing nothing about Lone Star I was half expecting another cop show in the vain of Memphis Beat or Justified.

Robert Allen (James Wolk) is a Texas con ma leading a double life, the first as a  “Bob,” he is married to Cat and living in Houston while working for his oil-tycoon father-in-law. Meanwhile on the other side of the country he lives as “Robert” with his girlfriend Lindsey where he works as salesman selling shares in a make-believe alternative fuel. Both lives are part of larger con orchestrated by his father to net them huge sums of money. However, Robert is torn between the two women in his life and aims to go legit, payback the people he conned by taking a promotion at his father-in-law and stay committed to both women much to the disgust of his father.

Yes, thank the maker, this is not another procedural cop show, in fact this feels very different from the usual network affair, in fact the structure and pacing felt more like a cable show. For those not affiliated with the American system – network shows are ones like House, CSI and Gossip Girl
- you can walk out the room make a cup of tea and pick up where you left off. Cable shows are more risqué and include shows like The Sopranos, Breaking Bad and Dexter; the cable shows are generally smarter and require a greater investment from the audience. The pacing and level of complexity in the show played with my expectations, I found that I had to pay close attention of risk confusing which con was being played. Evidently this happened to other viewers of the show who could not handle it, despite being given a great slot following House the figures tanked.  Writer Kyle Killen has written an open letter to help get the show more attention to save it from near certain cancellation despite receiving praise from critics.

So, the question is, is the show worth saving? Truth is I was interested but I was no where near hooked, the pilot suffered as so many do, from information overload, there was so much information thrown at us that his decision to honour both fake relationships as real was a little baffling. We did not really understand why these women were so special and worth risking everything for.  I don’t think the audience can relate to a man equally in love with two women without seeing more of their relationships  We have seen polygamy before in HBO’s Big Love, but we are given reasons for why he falls for these very different women, they all fulfil a need in his life – in Lone Star it is not so clear. The was no definitive structure to the episode that clues us into what will be the challenges in future episodes, I have no idea how he will carry on two relationships 400 miles apart, lets just hope they don’t plan parties on the same day leaving him in a Flintstones like dilemma of attending both. Although he spills the beans on his grand plan it is hard to see how the next handful of episodes will unfold, this can be a good thing, but only if you care about the characters and right now I am not sure that I do.

The sad part is that Lone Star is a huge risk for network a TV trying to raise the quality and complexity of their shows, if it fails and the next generic police procedural drama succeeds that is all we will continue to be offered and risks like this will not be taken again.  Perhaps the slim saving grace of the show is that is it was the pet project for Fox entertainment president Kevin Reilly and this might mean it will not be cut off mid-season as many shows are.

UPDATE 29/9/2010: After viewing figures dropped from a terrible 1.3 down to 1 million for the second episode Fox decided to cancel the series.  6 Episodes have been shot of a presumably 13 episode series order, so it is unlikely that these will turn up elsewhere. Last week 21 shows had their pilot episode and went up against season premiers of popular readily established shows such as Smallville, Grey’s Anatomy, Modern Family, Family Guy, Desperate Housewives, House and Glee. It is wonder that any show got strong viewing figures.

Created / Written by: Kyle Killen
Directed by: Marc Webb
Starring: James Wolk, Adrianne Palicki, Bryce Johnson, David Keith, Eloise Mumford, Alexandra Doke, Jon Voight, Mark Dekln
Date premièred: 20th September 2010
UK Details: TBA

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