Archive for the ‘Sci-Fi’ Category

Review: The Event

Friday, September 24th, 2010

Many questions and no sign of answers.

Ever since 24 introduced the series long plot line with a constantly unravelling story writers have tried to recreate the formula, Lost was the first to thrust mystery up front and centre and garnered a huge following which climaxed in disappointing finale that failed to answer many of the viewers’ questions. Because of Lost’s lack of answers and uncertain direction viewers became very uncertain about committing to a show that posed more questions than answers. Threshold , Flashback and Day Break fell victim to audience apathy resulting in diminishing ratings and cancellation. With Lost finally over, The Event hopes to take its spot.

A new president learns of a hidden military detention centre in Alaska and moves to close it, however others in government warn against the release of the prisoners. The president’s determination to put things right against the wishes of his advisors leads to the kidnapping of a pilot’s daughter. As the show reaches a climax the pilot aims a plane at presidents retreat, presumably to get his daughter released, in the final moment The Event (or An Event) happens and all the past talk of mystery suddenly gets a lot more interesting.

As I said originally, audiences are very wary about shows like this that offer more questions than answers and in this pilot we get nothing but questions.  Sometimes it can be really infuriating when characters manage talk around important subjects just to keep the audience in the dark.  The episode is liberal in it’s use of flashbacks and flash forwards, it is a trick,  keeping the plot moving at break neck speed so as not to linger around long enough to answer any questions. Because there is so little solid information given in the pilot  there is little to write here, sure we are introduced to an ensemble cast of characters, but we don’t stick around long enough to really get to know any of them. We get a sense of their outer desires, but don’t don’t any sense of their flaws that they need to correct.

Some parts are a little ridiculous like the agent who tries to chase down the plane suspecting a terrorist on board, apparently it is quite easy just to drive out onto the runway.  This however is no where near as crazy as later in the episode when the same agent is still chasing after plane even as it is flying towards its destination. I am guessing questions surrounding this supersonic car will never be answered.

The Event is living on borrowed time, the second episode has to provide some solid answers or it will start to haemorrhage viewers very quickly. This seems like a show that would have benefited from a double length pilot episode, it worked well for Lost and new series of 24.

Created / Written by: Nick Wauters
Directed by: Jeffrey Reiner
Starring: Jason Ritter, Sarah Roemer, Laura Innes, Ian Anthony Dale, Scott Patterson, Clifton Collins, Jr., Taylor Cole, Lisa Vidal, Bill Smitrovich, Željko Ivanek, Blair Underwood
Date premièred: 20th September 2010
UK Details: October 2010 – Channel 4

Review: FlashForward

Wednesday, September 30th, 2009

When 24 hit the small screen in 2001 it ushered in a new era of big budget television shows with huge scope and story arcs. With the exception of Lost, many of these shows crumbled quickly under the weight of their big budgets and diminishing audience figures. Shows like Jericho limped into a second season, while Surface struggled to reach a season climax, Threshold got canned after 10 episodes leaving the remaining 3 unaired for months. So make no mistake there is a huge risk making this sort of drama, the idea has to be good, it has to hit hard on day one and keep the audience coming back, because once the train has left the station no one wants to jump on.

For this reason the producers and stars of FlashForward came out and hit hard at Comic-Con, they showed clips from the pilot, took questions from the audience and gave away a few tantalising details. Positive word of mouth helped the show deliver a strong debut both in America and the UK.

The series is based on a book of the same name by Robert J. Sawyer, but the differences are obvious – in the book the flash forward is 21 years and the lead character is a particle physicist.  Most likely the writers have taken the idea of the book and run off in a new direction (like how I Am Legend changed everything from the book by Richard Matheson). As usual the pilot is all about setting the scene and introducing us to the characters.

Mark Benford (Joseph Fiennes) is an FBI agent chasing down a van in heavy traffic, suddenly he blacks out, and finds himself in a room, people are out to get him.  He wakes up and everything is in chaos, car crashes, people screaming, very quickly he realises something bad has gone down. They soon find out everyone on the planet blacked out at exactly the same time.  As they look into the causes Mark admits that he did not just black out, he had a memory… only of the future.  It soon transpires that everyone flash forwarded to the same date and time 6 months into the future, the fact that some people have the same memories lends weight to the idea that this really is the future. So the investigation begins, recalling what he saw he starts trying to recreate the wall of clues he saw why blacked out, of course other people’s visions are cause for concern.

As I said at the top, a show like this needs to grab the audience and hold on to them, like Heroes the show has given a target to aim for.  In Heroes we were given 2 things, “save the cheerleader, save the world” which served as the series midpoint and the bomb in the city which was season finale. In FlashForward we are given a date in April and the show producers have confirmed that the season finale will air on that date. Having a direction and an end point really helps focus the audience on a goal, this is an ongoing problem is Lost, you really have no idea where it is going.

The big question is do we really care about the characters, or are we just interested in the device. Even in the pilot most of the characters are just functional and forgettable, even Fiennes who is leading the charge is just too goody good to have any real depth. In the coming episodes we are certainly going to have to get to know these people better if we are to get behind them. For now this is big budget flashy TV that is doing enough to hold my often shallow attention.

Created and Written by: David S. Goyer & Brannon Braga
Directed by: David S. Goyer
Starring: Joseph Fiennes, John Cho, Jack Davenport, Zachary Knighton, Peyton List, Brían F. O’Byrne, Courtney B. Vance, Sonya Walger, Christine Woods
Date premièred: 24th September 2009
UK Details: Channel 5 – 27th September 2009

Special Double Review – Defying Gravity and Virtuality

Thursday, August 13th, 2009

At first I was struck by how there were 2 new TV dramas that focused on multi year long space missions, but then someone reminded me that 2009 is the 40th anniversary of the moon landing and suddenly it all made sense.

Virtuality is set on board a space ship on a ten year mission to explore a distant star, the 12 man crew spend their time playing with
virtual reality and trying to figure out how they can improve the ratings of the reality show about their epic adventures. A mixed bag indeed, the pilot opens in the civil war, only with machine gun technology, no sooner has your head got to grips with that than you are thrown into space. 6 months into their mission the crew must decide whether or not to continue the mission or turn back, but with earth rabidly becoming inhospitable they might be the only hope for the human race so despite the ship’s only physician being diagnosed with Parkinsons and the virtual reality acting up and raping crew members they decide they have no choice and must continue their quest, at very least all that excitment should help with their reality show ratings.

Defying Gravity was pitched as ‘Grey’s Anatomy in space’, and is a multinationally produced show made by Fox (US), BBC (UK), Omni Film, CTV, SPACE (Canada) and ProSieben (Germany).  Set in the year 2052, man has already landed on Mars, but now they are going on a 6 year mission to visit other planets in the solar system (Optimistically hoping for 6 seasons?).  The pilot sees the selected galactic adventures launch into space before a couple of astronauts get sick and one of those goes off the deep end and ventures out for a space walk. Two replacement astronauts are sent up including the first man to land on Mars who left 2 of his colleagues behind on the red planet to die. Unlike the reality show being produced for the earth audience in Virtuality, the crew of Defying Gravity are making a documentary. With love in the air, the astronauts lucky enough to hook up are hoping that Ridley Scott was right and that ‘in space no one can you scream.’

Virtality was shopped around as a pilot but failed to find a buyer, instead the pilot played as an annoyingly open ended movie. Although there are groups demanding more episodes the presence of Defying Gravity will doubt dampen any network’s enthusiasm for picking up a nearly identical series. If you want to know which is best, that is a tough question, they both kinda suck. Virtuality is overly confusing and monotone, while Defying Gravity is just poorly written with on the nose dialogue and melodramatic situations. With its funding Defying Gravity will certainly air all 13 episodes somewhere in the world, but the prospects of a full season (22 episodes) and second series seems unlikely.

Virtuality
Written by: Ronald D. Moore, Michael Taylor
Directed by: Peter Berg
Starring: Nikolaj Coster-Waldau, Kerry Bishé, Joy Bryant, José Pablo Cantillo, Ritchie Coster , James D’Arcy, Clea DuVall
Date premièred: 26th June 2009
UK Details: None available.

Defying Grafity
Written by: James Parriott
Directed by: David Straiton
Starring: Ron Livingston, Malik Yoba, Laura Harris, Eyal Podell, Christina Cox, Peter Howitt
Date premièred: 2nd August 2009
UK Details: BBC 2

Look out for our next double bill where Trauma will take on Miami Trauma.


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