Archive for the ‘Sit-Com’ Category

Review: Happily Divorced

Friday, June 24th, 2011

The new TV season is rapidly landing upon us and as reported in the London Comedy Writers Newsletter the hot new theme for this year is the comedy gold topic of divorce. First horse out is soft comedy Happily Divorced from the throwback channel TV Land.

Happily Divorced

Happily Divorced

So here is the premise, Fran is happily married until late one night Peter, her husband of 18 years, confesses that he is gay.  Rather than dwelling on the crisis of a man dealing with his newly found sexuality it becomes a “comedy” about a couple divorcing – except the economic crisis means they can’t afford  to physically separate and he moves into the den.  We pick up 6 months later where Fran is now a fully fledged fag hag, he now a stereotypical  metrosexual with a gym membership, shaven chest and regular at sing along a Sound of Music.  The horribly stereotypical  Mexican delicvery boy still hangs around doing his best to be as offensive as possible, (on side note check out this video about a similar role in Seinfeld) and in an effort tick every box we have Fran’s best friend a black woman with attitude.  Anyway Fran starts dating again and goes to fancy restaurant where a stuck up French waiter ruins the night when he has an allergic reaction to as a truffle. But alls well that ends well and they make up. Peteris fine with his ex-wife dating and she finds a real man (he rides a motorbike and wears a leather jacket – he is basically an ageing Fonze.)

Shockingly filled with sterotypes, I was quite surprised to learn that the series is based on co-creators Fran Drescher and Peter Marc Jacobson, who had been high school sweethearts and then married in 1978. They divorced in 1999. Jacobson later came out as gay to Drescher and the two remained friends. Sadly this in no way translates to the screen, a series of poor one-liners, leads to a show that is predictable and forgettable. With 10 episodes order I would not be surprised to see it end there.

Created / Written by: Fran Drescher, Peter Marc Jacobson
Directed by: Lee Shallat Chemel
Starring: Fran Drescher, John Michael Higgins, Tichina Arnold, Rita Moreno, Valente Rodriguez, Robert Walden
Date premièred: 15th June 2011 (TV Land)
UK Details: TBC

 

Review: Outsourced

Wednesday, September 29th, 2010

Racist or reality check.

Mumbai Calling is about a call centre manager sent to India in order to manage the jobs that have been outsourced. But enough the 2008 ITV comedy, this is about the fresh ideas that roll around in America’s week of pilots.  Outsourced is a totally different sitcom in that was based on a 2006 movie of the same name.

Todd Dempsy returns to work after a management training course to find all the call centre he was to manage has been closed down and outsourced to India, luckily for Todd his job is safe, just as long as he willing up sticks and move to India.  Arriving in the new country he is given his ragtag gang of Indian call centre employees ready and willing to sell American Novelties to American customers.  Very quickly it becomes evident that the employees need to understand Americans and American excess if they are going to be able to sell the crap (probably made in China) that Americans want to buy.

When trailers for this show started airing there were voices of opposition complaining about the stereotypical nature of Indians and Indian culture shown in the adverts.  Having watched the show I thought the call centre characters were not far from the crazy selection you would expect in any run of the of the mill office sitcom and I kind of think America comes off far worse. America looks like a country on a downward spiral as its manufacturing jobs are sent over seas with many other jobs following in hot pursuit.  All the time American spent money on cheese heads, foam fingers and fake poo, the Indians have been working towards a better country (don’t get me wrong they are long way off but they are moving in the right direction). As America struggles with over 10% unemployment a comedy about the people who have been given those jobs seems very misguided. In one scene man calls wanting to order an “American number 1 cup” and is very angry that he has to call India to get it. Its understandable and I wonder if Americans viewing show get that they are being portrayed as an ignorant, greedy, glutinous mass desperate to throw money away on nonsensical novelties rather than rebuild the infrastructure of their crumbling economy.  Too political?

Ignoring that the show is a bog standard,by the numbers look at office life that fails to live up to the standards set by the show it follows… The Office.  Nothing new here, except a depressing reality check.

Created / Written by:Robert Borden, George Wing, John Jeffcoat
Directed by: Ken Kwapis
Starring: Ben Rappaport, Rizwan Manji, Sacha Dhawan, Rebecca Hazlewood, Parvesh Cheena, Anisha Nagarajan, Diedrich Bader, Pippa Black
Date premièred: 23rd September 2010
UK Details:

Review: Better With You

Sunday, September 26th, 2010

Would be better with a whiff of originality.

To say that I have been underwhelmed by 2010′s fall offerings is a huge understatement and even before watching the pilot to Better With You my heart was sinking at the prospect of writing yet another a generic review to another generic sit-com.  ABC has placed this show between two of last year’s big hits The Middle and the Emmy award winning Modern Family making it the only traditional multi-camera sitcom in the 2 hour line up of Wednesday night comedy (the fourth was show is another hit from last year Cougar Town).

The show opens by presenting us with three couples, the first have been together for 2 months and still want to make out at every opportunity, the second have been together for 9 years remained unmarried and yet finish each other sentences,  the final couple have been together for 35 years and don’ talk at all. As the episode unfolds we learn that the two younger girls are sisters, the older couple their parents. Neither of the sisters are married, although the older one in a long term relationship claims it is a life choice, until her younger sister gets in engaged. The positive reaction by her parents to announcement of a wedding and a baby causes her to rethink this choice.

This show was exactly what I expected. Shana Goldberg-Meehan is a former writer on Friends and the 20 / 30 something angst is transferred over here only now it feels tired and overdone. While watching Better With You it can feel like watching a show from 90s, it is tame, predictable, bland and packed with characters we have seen a dozen times before. The weak jokes are based on characters being too stupid to exist, for example the older sister telling the boyfriend of her younger sister that she doesn’t want to get married until her social security becomes insolvent – this requires all three to be stupid – the boyfriend belives it, the girlfriend doesn’t question it and sister thinks this titbit will delay the engagement. I know this is a comedy and not a serious drama and perhaps I could let this go if the script wasn’t packed so many more clunkers.  It is bad writing on the one episode that has to stand up stronger than all the others.

A sign of the troubles facing the show is the inability to get a title to stick, previous titles included Better Together, Leapfrog and That Couple – if you are so unsure of your story that you can’t nail a title, get out before you waste any more of your money. really want to know how shows like this get made, let alone get given a series. If anyone knows please leave a comment.

Created / Written by: Shana Goldberg-Meehan
Directed by: James Burrows
Starring: Joanna Garcia, Jennifer Finnigan, Josh Cooke, Jake Lacy, Kurt Fuller, Debra Jo Rupp
Date premièred: 22nd September 2010
UK Details: TBA

Review: $h*! My Dad Says

Saturday, September 25th, 2010

It’s like a twitter feed in a TV show, minus the profanity.

Studios looking for next big TV show will grab desperately at anything that seems popular, that is one of the reasons we have so many vampires running around. In a desperate attempt to tap into something else the youth love, CBS turned to Twitter’s @shitmydadsays, a popular feed  that documents the ramblings of a 74 year old man. Using the premise of a character who says funny shit, William Shatner was signed and a sitcom created.

In the pilot episode Henry(Jonathan Sadowski) returns home hoping that the bank of dad will give him a bail out after losing his job and running through all his savings. His father Ed (Shatner) lives alone and puts barriers with his harsh opinions to stop anyone, even family members from getting too close. His dad’s behaviour makes it harder for Henry to admit his problems, just as it is hard for dad to admit his own loneliness.  When Henry’s dad agrees to let him move in, it is much for his benefit as for his son.

The attraction of the original twitter feed is the crass, to the point sound-bites from a man who has accepted his lot in life and has no time for stupid questions, here we are presented with a censored version mixed into an old sitcom faithful — the odd couple. It is kind of amusing, given the lack of bite in the show, that they should be the subject of protests by Parents Television Council because the title alludes to obscenity, since there is no obscenity in the show, the protests just serve to to give it more publicity.

In reality the lesson to learn here is that a single crazy character does not make a show (this why spin of shows with Kramer, Joey and The Lone Gunmen failed). $h*! My Dad Says while not totally horrible (especially when compared to other odd couple offering Melissa and Joey), lacks any sense of originality in situation or style.

Created by: Justin Halpern
Developed by: David Kohan, Max Mutchnick
Written by: David Kohan, Max Mutchnick, Justin Halpern, Patrick Schmacker
Directed by: James Burrows
Starring: William Shatner, Jonathan Sadowski, Will Sasso, Nicole Sullivan, Stephanie Lemelin
Date premièred: 23rd September 2010
UK Details: TBA

As often happens in the world to TV pilots the first show they make does not cut the mustard, reshoots are ordered and changes made based on feedback.  As someone has kindly pointed out the original video I posted (seen below) featured Ryan Devlin in the role of Henry, he was later recast with Jonathan Sedowski.  Sadly I do not have the original pilot to compare to the final show,  it can be very interesting to see what changes are made before the general public get to see it. Examples from other shows include Scrubs going from a beige colour pallete to a pastels colour pallete and actress Brook Kerr  portryaing Tara having her scenes were reshot with Rutina Wesley in True Blood. Other shows never make past the first episode in the coming weeks I will look at Babylon Fields (the original zombie drama) and Pretty/Handsome.

Review: Running Wilde

Friday, September 24th, 2010

It’s not the size of your plaque that matters, but the size of your pony.

Arrested Development stands out as one of the funniest and creative sitcoms in recent years, so when it was canned after three series it left a gap that needed to be refilled. Last year creator Mitch Hurwitz introduced “Sit Down – Shut Up” an animated series that reunited Will Arnett and Jason Bateman, it failed to get much attention and the promised Arrested Development movie is still languishing in development hell. Running Wilde is Mitch Hurwitz new comedy that brings Will Arnett to the forefront.

Steve Wilde (Arnett) is a trust fund baby and in some ways a literal baby. He is looked after by his two dedicated servants, he gets whatever wants and his chief concern is upstaging his friend, nemesis and fellow trust fund baby Fa’ad Shaoulian (Peter Serafinowicz). Then we have Emmy (Keri Russell), an eco-warrior dedicated to saving tribes in the rain forrest, she is also the childhood love interest of Steve. Emmy returns from the rain forrest with her daughter Puddle to ask Steve for help in their quest, but instead see him receive a humanitarian award he is giving to himself.  Finding out he is still as selfish as he was as child, she plans on leaving until she witnesses him perform an unselfish act giving her hope that she can turn him to her way of thinking.

It is good to see a show that is not driven by events, but by character, however on the nose and lacking subtext the dialogue is, you really get a sense of who the characters are, what they want and what need to do to obtain it.  It is a deceivingly simple structure and one that works to the benefit of the show making Running Wilde one of the must see new series.

However, it is not all good news, there are teething problems with the show. From the outset this show does not match the heights of Arrested Development in terms of character depth or story complexity.  Having Arnett’s Steve Wilde as the main character is a big problem, he is a crazy character in his crazy world, Arrested Development had Jason Bateman’s Michael Blooth who was the sane man amongst all the crazy characters. 30 Rock has Tina Fey’s Liz Lemon – it might seem like a funny idea to have Tracy Mogan take centre stage, but it limits what stories you can tell because these types of characters are so simple. Running Wilde does have Emmy’s daughter Puddle (Stefania Lavie Owen) as the solo sane voice (literally as she does not speak and we only hear her through voice over), she explains all the back story and presents the only genuine vulnerability in the show.  Easy jokes come from crazy characters, but memorable stories come from characters who well rounded and identifiable. Running Wilde is sitting on a fine line, the characters are different enough that the dynamics between are going to be interesting to see play out, although most cases the plots will probably revolve around Steve trying to do something nice, but is a total disaster, he then has to look at himself and do things right.

There are great surreal moments with miniature horses and giant plaques, the one liners are great, the callbacks work perfectly and some events are so over the top you can hardly believe it happened, a fine example is Will’s solution for helping the Amazon tribe. The cast are clearly having a great time and are putting a lot of themselves into the roles, with Arrested Develop long gone, this is the next best thing.

*In the photo above you see a Nanny, her role was cut after the first pilot was made, scenes were re-shot and she was replaced by Mr. Lunt (Robert Michael Morris), many of the changes that happened were to make the characters more likeable and redeemable. More recasting can be seen in the video below too, some scenes take place in totally different locations in the broadcast pilot.

Update 14/10/10

When the series started star Will Arnett was confident taking to his Twitter account “Holy balls…Running Wilde is on! I’ve written and read great things about that show!” As Running Wilde passes its 4th episode, the show is limping and Will Arnett has returned to twitter with vengeance to drum up support for the show in hope in increasing the ratings.  “I know I’ve been pimping #RunningWilde,but if not,I’ll have to actually pimp,which would suck even tho I do like drinking cough syrup” and “Never done a grassroots effort, but let’s save the effing show #RunningWilde Forever!(or 5 decent seasons,plus a 6th for 2&ahalfmen $$)”. This morning he was not looking hopeful in spite of a petition to keep the show on air… “Thanks to everyone who signed the petition..f**king ratings sucked…I guess America hates jokes?”.  It seems certain that the show will not get a full season order and just limp to the end of its original 13 episode order.

Created / Written by:  Jim Vallely, Mitch Hurwitz, Will Arnett
Directed by: Mitch Hurwitz
Starring: Will Arnett, Keri Russell, Stefania Lavie Owen, Mel Rodriguez, Robert Michael Morris, Peter Serafinowicz
Date premièred: 21st September 2010
UK Details: TBA

Review: Mike and Molly

Wednesday, September 22nd, 2010

A comedy that teaches us that fat people should stick to their own kind.

The studio based sitcom has been struggling to take hold for some time now as the single camera sitcom continues to take hold. The limitations of a single studio and the demographic  it pitches towards leaves the format looking cheap and feeling stale.  Executive producer Chuck Lorre currently has the two highest rated sitcoms to his name (Two And A Half Men and The Big Bang Theory), so his name on a new project is going to get attention. Mike and Molly sets out to make their mark with the often recycled plot line of the misadventures of a new couple and their circle of zanny friends. The twist? They’re fat.

In the pilot we are introduced to Mike (Billy Gardell) an over weight policeman trying to loose weight, while his buddy mocks him. Then we meet Molly (Melissa McCarthy) an overweight school teacher who is also trying to loose weight while her slender mother and sister carry on their glutinous lifestyle in front of her without gaining a pound. The pair of lonely hearts meet at an Overeaters Anonymous meeting and are instantly charmed by the other’s humour and good nature. Too shy to ask each other out they bumble along before Mike builds up the courage to tell Molly how he feels.

It is good to see real average people portrayed on TV and both Gardell and McCarthy play their roles well, although too much of the humour relies on them being fat as their defining characteristic. I can’t imagine that Mike and Molly was creator Mark Roberts’ dream project, it feels terribly formulaic with the stereotypical meet cute, the fat gags, the slut gags, the pot gags and the I’m the token black man gags.  The two main characters are quite engaging, and you can buy into their awkward and innocent relationship, there feels like there might even be some heart in there. For the most part the show easy viewing, but fails to push any buttons that would make inspire me tune in next week. Maybe reflecting the main characters’ tastes it is all a little too sweet; although the supporting cast do their best to give it some edge, they just feel wacky for sake of a few jokes. Katy Mixon however, is sorely wasted as Molly’s mother, much in the same C. C. H. Pounder was wasted in last years failed sitcom Brothers.

In the crowded arena of sitcoms Mike and Molly does little to stand out from the crowd, but it may do OK with an audience tired of the overused odd couple scenario, I certainly felt less anger towards this show than I did towards Melissa and Joey.

Created / Written by: Mark Roberts
Directed by: James Burrows
Starring: Billy Gardell, Melissa McCarthy, Reno Wilson, Katy Mixon, Nyambi Nyambi, Swoosie Kurtz
Date premièred: 20th September 2010
UK Details: TBA

Review: Melissa and Joey

Saturday, September 11th, 2010

Blossom Clashes With Sabrina.

As a kid I grew up watching Melissa Joan Hart in Clarissa Explains It All, she didn’t but I got a few laughs out of the show. Then as I grew, she grew up with me, maturing to the slightly more grown up Sabrina, the Teenage Witch and sure that got dragged out through university when she did a Maxim photoshoot, all was looking good, but then we parted ways.  I started to work for living and she stopped. Now our paths cross again as Melissa makes a return to TV in her new multi camera sitcom Melissa and Joey (Yes that Joey is the floppy haired (now shaven headed) brother to Blossom.

The series sees Melissa all grown up and working as a successful councilwoman and guardian to her niece and nephew. She has trouble in her love life, trouble at work and trouble dealing with the kids, but the answer to all her problems comes in the form of a man (Joey) angry that her brother-in-law screwed him out of all his money.  Joey, for no clear reason takes it upon himself to become a her nanny. Of course he is the greatest nanny ever, he cooks, cleans and solves all the kids’ problems with endearing heart to hearts. So starts the the most conventional love story of all time, two people who hate each other decide to work together.

I am going to bless you with the first two lines of dialogue from this show, so you get a sense of it.

Rhonda: Look at you public servant by day hottie by night. (obscene amount of laughter)
Melissa: Well I have to turn down the heat during day or no one would get anything done. (obscene amount of laughter)

It’s not funny! Neither of those two statements came even close to being a joke. My distaste for this show is epic.  Melissa hasn’t grown up at all!  More often than not the comedy is more suited to Nick Jr than prime time. Yes I know this is the ABC Family channel, but adults are expected to watch this too.  I guess that they felt that box was ticked with this little gem “Today Lenox handed out flyers with an original poem that rhymed her principal’s name in a way that didn’t go over well with Mrs Lunt“. Yep that is a “cunt” joke in family comedy, this never would have happened in Alf , it is isn’t subtle, clever or funny (check out this Anamatics clip to see how it should be done.) and they repeat the damn joke.

Melissa just runs around the set looking frantic, while Joey comes in angry and then turns into the dog whisperer of kids! There is nothing of merit in this sh0w, it is predictable, event led, it has no heart, no jokes and makes no sense. It is shows like this that killed the multi-camera sit-com. Just to be clear, the cast are fine, the script stinks. Maybe the writers knew this and included a sub-plot in which trash bags of “crap” are thrown at the house and held up in almost every scene. Hanging a hat on something obvious is a classic lazy writer’s trick, but David Kendall and Bob Young might very well have executed it better than at any point in history.

Created / Written by: David Kendall, Bob Young
Directed by: Ted Wass
Starring: Melissa Joan Hart, Joey Lawrence, Taylor Spreitler, Nick Robinson
Date premièred: 17th August 2010
UK Details: TBA

Review: Hot in Cleveland

Saturday, June 26th, 2010

For many it seemed that the height of Betty White’s fame would be in The Golden Girls, when the series was cancelled in 1992 the stars struggled to find other memorable roles and then over the past couple of years three of them gave up completely and shuffled off this mortal coil. Betty White however has fast became a Facebook sensation when a group asking for her to host Saturday Night Live picked up over half a million fans.  At 88 she was the oldest person to host the iconic show and gained the highest in ratings in two years. Hot in Cleveland sees her return to sitcom, although only intended to be in the pilot the producers were so pleased with her performance she is to become a series regular.

The show opens with 3 friends flying Paris, to celebrate one of them getting divorced, however when the flight gets diverted the trio end up in Cleveland. Here the three girls from Hollywood who have so often been over looked for younger prettier specimens suddenly find themselves top of the food chain.  What is more the men are polite, people are not so judgemental and the cost of renting a house for a month is the price as Paris hotel for a night.  Untimely the trio decide to stay, but they have a house cleaner (Betty White) thrown into the mix. While the stay is first said to be temporary there is little doubt this is where the women will stay.

The show deals with the concerns that many of us have when we hit our mid-thirties and start to wonder if our best days and opportunities are behind us.  Stressed by a job we hate and tired and broke keeping up appearances (because how could we possibly get by without the latest i-phone, shoes or car) is a tough life to lead. Escaping to a place less judgemental, with lower expectations of you can sound tempting. But do you want to be a big fish in a small pond, or a small fish ocean, or as the show puts it Paris for a weekend or Cleveland for month.

Hot in Cleveland marks a first for TV Land, this is the first original scripted show for a channel previously reliant on reruns so it is fitting that the show feels like a throw back to a day of non-offensive risk free comedy.  Even the choices the characters make feel safe, with few consequences. The traditional set up and studio audience made this feel like 100 other comedies that require little involvement from the audience and can be enjoyed when channel hopping throws up no suitable alternatives.

Created / Written by: Suzanne Martin
Directed by: Michael Lembeck
Starring: Valerie Bertinelli, Jane Leeves, Wendie Malick, Betty White
Date premièred: 16th June 2010 (TV Land)
UK Details: TBC

Review: Brothers

Wednesday, October 14th, 2009

Don Reo is a seasoned TV writer, his work spans from Jimmy Durante Presents the Lennon Sisters (1969), through M*A*S*H (1976), Blossom (1990), Everybody Hates Chris (2007) and now in 2009 he gives us Brothers.  On paper this could be a worthwhile sitcom, we have Daryl Mitchell, former American footballer Michael Strahan, Carl ‘Apollo Creed’ Weathers and the fabulous CCH Pounder. In reality we have an overwhelmingly weak and predictable sitcom that will be lucky last far past the two episodes that have already aired.

In the pilot we meet two brothers Mike (Michael Strahan) an American Football Player and Chill (Daryl Mitchell) who is paralysed from the waste down after a car accident.  They brought back together by their strong willed mother (CCH Pounder) with news that their father (Carl Weathers) had suffered a stroke. In reality there are many secrets under the surface, Chill’s restaurant is failing, Mike has been screwed out of all his money by his agent and while their father has not suffered a stroke, he does seem to have Alzheimer. We learn that brothers have fallen out because Chill blames Mike for the accident since he was supposed to pick him up from a party and after he no showed he got a ride with a friend who was drunk. Their mother needs them all to pull together so they can survive these difficulties.

There could be a good blend real life difficulties to bring out humour, instead we are left catchphrases “He’s an idiot and I love him”, an over used joke about shaven testicles or “wiggly-do”as it is called and gags about the gap in Strahan’s teeth. When all is said and done, you have to look at CCH Pounder and wonder what the hell she is wasting her time doing this crap for. This is not to say she is bad, she is the best thing in the show and it is great seeing her do comedy, but coming off The Shield , you would think she could spot a good script, but their precious little for her to work with here.

The second episode appeared to erase all talk of the father’s Alzheimers as well as much of the resentment between the brothers.  Money troubles seems to have eased since they all joined forces to work in the restaurant and everyone enjoys a lifestyle that would make the average American’s jaw drop – they have a pool house and claim money is tight.

Had not The Beautiful Life: TBL already been cancelled I would have put this top of my list of shows that would disappear and never be spoke of again, as it is we will have to wait to see how long it will last.

Written by: Don Reo
Directed by: Ted Wass
Starring: Michael Strahan, Daryl “Chill” Mitchell, Carl Weathers, CCH Pounder
Date premièred: 25th September 2009
UK Details: TBC – but very unlikley

Review: Cougar Town

Sunday, October 4th, 2009

Sitting down to watch the much hyped Cougar Town I was surprised by its 22 minute run time, I had been expecting something more akin to Desperate Housewives, but since Eastwick seems to have gone that route, the single camera sitcom format is perfect. Created by Bill Lawrence the man behind Spin City and Scrubs, it stars Courtney Cox (Friends and Dirt) the show is certainly packing some veteran talent, even relative new comer Dan Byrd (Aliens in America) delivers a confident performance.

Newly divorced realtor Jules (Courtney Cox) is suddenly aware of her age, her sagging  body and prospect that she is doomed to spend the rest of her life a single mum. Although she thinks she has a close and kooky relationship with her son Travis (Dan Byrd), she is unaware of how she embarrasses him. Her younger friend Laurie (Busy Phillips) wants to get her out of the house and so she ends up in bar and later back her place to enjoy the benefits of sex with younger guy. A new world has opened up and for the first time in a long time she feels alive and unfortunately for her 17 year old son this is something he is going to have to get use to.

This is one busy pilot, almost as if it was written for an hour slot and boiled down, scenes struggle to last longer than the annoying guitar music that segways over each cut. At such break neck speed it is hard to keep track with all the characters, and rather than well formed B and C stories we get one big over complicated A story. What makes this frustrating is there is a lot of really good moments, characters and ideas here, we just are not given the time to enjoy them.  Hopefully as the series continues the pace will slow down so we catch our breath and enjoy the show.

We have become very use to seeing older guys with younger girls, but the Cougar movement is certainly challenging those expectations.  We have seen it in Desperate Housewives, joked about it on SNL, sighed at Accidentally on Purpose, but Cougar Town despite its title, might be the first to really examine the plight of the single middle aged woman.  The term Cougar is almost a misnomer here, Jules is just woman who has opened her eyes to the possibilities before her, she might even have the power to re-brand the Cougar as something exciting rather than scary. However, there is one bug, Courtney Cox still looks kinda hot, she still has a great body and all those other shallow things we look for, the idea that she is over the hill just is not realistic so it is hard to make an emotional connection to her dilemma when many women that age (and younger) would kill to look that good.

This is a fairly solid first outing for Bill Lawrence’s new show, scrubs had run its course (however, it is being rebooted later this year as Scrubs: Interns), so it must be good to for him to sink his teeth into something new.  The characters are all interesting to watch, although Courtney Cox’s new character doesn’t feel like she has too many differences to her most famous role as Monica, while Christa Miller is playing nearly exactly the same character as she did on scrubs. This isn’t bad thing, the actors are very comfortable in these shoes and revel in the performance. The comedy is more mature than we have seen from Bill in the past due to the sexual nature of the story.  This doesn’t feel like Scrubs or Spin City dumped in Florida, it stands confident in its own shoes.

The first episode performed very well and I expect in the coming weeks the initial order of 13 episodes to extended for a full 22.

Created and Written by: Bill Lawrence, Kevin Biegel
Directed by: Bill Lawrence
Starring: Courteney Cox, Dan Byrd, Ian Gomez, Brian Van Holt, Josh Hopkins, Christa Miller, Busy Philipps
Date premièred: 23rd September 2009
UK Details: Living 2010


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