Posts Tagged ‘Comedy’

Review: Louie

Thursday, July 1st, 2010

Back in 2006 Louis C.K. took a stab at the traditional sitcom with his HBO show Lucky Louie. Using the traditional 3 camera set up and a live studio audience it was a bold choice when many other comedies had switched to the single camera format. However after a single series HBO said “no more”, this was not due to ratings, as the show had a strong cult following, but because the critics didn’t like it and HBO’s image was more important (Sadly my rage at True Blood has not led to a similar fate for that show). Anyway Louis when back out on the stand up circuit, picking up a roll on Parks and Recreation before FX finally offered him a new show.

There is actually not much in the way of a plot here, instead what you have is Louis C.K. doing a bit stand up before cutting to a short vignette, a little more than a sketch, but a lot less than actual sitcom.  Based loosely on his own life we are introduced to Louie who is a divorced father of two, in the pilot we see him with kids on a school trip and a failed date.  Both show his difficulties in the situation as he tries to take control of the situation on the school bus, but fails in every way with his date.

I can’t hide my disappointment, I really liked Lucky Louie and Louis C.K. is a great stand-up with a strong voice and a unique take on the world.  Here however I feel we lose a lot of the controversy of his comedy. From what I have seen before he has the ability to take you to a dark place before pulling you back out; For example there was a stand out episode of Lucky Louie where he called his wife a cunt, or his stand up idea on why we should not be so angry a paedophiles (see below).  This show seems to lack heart, in both vignettes he doesn’t make the tough choices that would make his life better, played more for laughs than story we see no desire to improve himself that was so clear in his previous sitcom.

Created / Written by: Louis C.K.
Directed by: Louis C.K.
Starring: Louis C.K.
Date premièred: 29th June 2010
UK Details: TBC

Double Review: Memphis Beat and Justified

Wednesday, June 30th, 2010

It seems like drama has moved south. A trend perhaps started by True Blood and followed by Treme, The Good Guys, Outlaw Country, the recently wrapped up Justified and new entry Memphis Beat. Since these last two have more than little in common I will review both now.

Justified starts with U.S Marshal Raylan Givens (Timothy Olyphant) sat down with a known fugitive, he offers him the choice to leave town or die, pulling a gun on Raylan seals his fate, but that is one too many shootings and Raylan is reassigned to is home town in Kentucky. Here childhood friend Boyd Crowder(Walton Goggins has turned into redneck racist and is not only responsible for the murder of one of his gang members but also for launching a rocket into a black church. Tracking down Crowder leads Raylan to cross paths with his past, an ex-wife, a childhood admirer and the mystery of surround his estranged father. Ultimately it all leads to showdown where he is placed in a similar situation as the first scene and has to make the call about shooting his childhood friend.

Based on the character created by Elmore Leonard the pilot sets up that all too familiar police dynamic and while Raylan maybe more gentleman than brute force, his unconventional methods still rials up his boss. With The Shield finishing on such a high last year, it was great to see the return of the brilliant Walton Goggins to the TV screens, he manages to infuse real character in what could a horrible stereotype in other hands. The pilot serves to set up the interesting characters and dynamics, but as a result feels a little back story heavy with many key events taking place prior to the first episode. With a setting that takes us out of the cities we have become use to in other cop shows, there is certainly scope for fresh storylines. However, although bold in the early stages highlighting the consequence of a policeman shooting his gun, by the end you get the feeling that as long as it is a bad guy getting shot, that is all the justification needed.

In the pilot episode of Memphis Beat we are introduced to Dwight Hendricks (Jason Lee) a policeman with very good instincts. When an abused old woman is brought into the station, Dwight learns she was once a great radio DJ who first introduced him to Elvis (he is now an Elvis impersonator in  his spare time).  Emotionally involved in the case his new boss does not approve of his unconventional methods, constantly taking him off the case, this however does not stop his investigation until he finds her abuser.

From the first shot of Jason Lee you start to wonder if this is suppose to be a comedy, then you see the scrawny DJ Qualls in uniform and you know think it is a comedy, then when the first criminal’s trousers fall down, you sigh as it becomes “that type of comedy”. But that is where the comedy ends and a run of the mill police drama starts. Characters are flat and one note facing few, if any consequences for their actions. Only two things stand out, the music (an excellent from soundtrack from start to finish) and the setting. Dwight’s amazing instincts are often mentioned, but there is no explanation about where this comes from, he is no Mentalist and his skills serve only to move the plot forward in a quick and convenient way.

So in a quick summary, Memphis Beat sees Southern gentleman cop Dwight Hendricks solve crime with his unique powers of insight which goes against his by the book boss’ wishes. Justified meanwhile takes place in neighbouring state where U.S Marshal and southern gentleman Raylan Givens upsets his by the book boss because of a trigger happy finger.

Memphis Beat did nothing to peak my interest, I did not get involved with the main character and the horrible mix of comedy and drama was off balance and distracting. I have made it through the first series of Justified and much like the pilot there are some stand out moments that raise it above the usual network offerings, but it is not bold or fresh enough to stand up against other police dramas such as The Shield and The Wire. Law enforcement will always be a popular choice for drama, like medical shows it allows for an easy, self contained story each week, but it is such a well trodden path that you have to throw in something new to win me over.

I’m already dreading the next police drama on my review list Rookie Blue.

Memphis Beat
Created / Written by: Josh Harto and Liz Garcia
Directed by: John Fortenberry
Starring: Jason Lee, Alfre Woodard, DJ Qualls, Celia Weston, Sam Hennings, Leonard Earl Howze, Abraham Benrubi
Date premièred: 22nd June 2010 (TNT)
UK Details: TBC

Justified
Created / Written by: Graham Yost based the character created Elmore Leonard and his short story “Fire in the Hole”
Directed by: TBC
Starring: Timothy Olyphant, Nick Searcy, Erica Tazel, Jacob Pitts, Joelle Carter, Natalie Zea,
Date premièred: 16th March 2010 (FX)
UK Details: 5th May 2010 (FIVE USA)

Review: Parenthood (2010)

Sunday, March 14th, 2010

Once upon a time Steve Martin was an A-list star and little Richie Cunningham was yet to win an Oscar, they teamed with Neo and a bunch of other faces you recognise from the 80s to make Parenthood.  Such a success was this multi generational look at one of life’s greatest challenges network TV rushed out to make a small screen version. Ed Begley Jr, David Arquette and Leonardo DiCaprio took on the roles of their big screen counterparts, unfortunately for Leo, the series followed the fate of other 80s and early 90s movies turned TV shows (Working Girl, Ferris Bueller, Uncle Buck and Baby Talk (based on the film Look Who’s Talking)) and lasted only on series.

Jump forward 20 years and the Buckmans are now the Bravermans and the new head of the house is Six Feet Under star Peter Krause. Originally intended for a September airing it pushed back to the mid-season as actress Maura Tierney was diagnosed with breast cancer, as a result Mercy was brought up in its place. Tiernay went on to leave the series due to her treatment and Lauren Graham took her place.

Parenthood is not so much a spin of off the film, but a re-imagining, both the show and film start off at the same point and at least for the pilot follow a very similar path. The premise is to show 4 siblings as they struggle at various stages of parenthood (the parents of teenagers, toddlers, tweens and the expecting all watched over by the veteran of child rearing), the scope is huge, so how does the show stack up? Well its a bit of mixed bag, the plot follows the film closely minus the huge baby closing. However, by crushing a 2 hour film down 40 minutes you end up with quite an unfocused story with way too many events that conveniently happen over the space of a week.    Adam Braverman (Krause) and the problems with his nervous son which is so prominent in the film is quickly pushed into the background as we instead follow newly divorced mother of two, Sarah (Lauren Graham) as she relocates closer to her family and starts dating again. All the time the patriarch of the family pushes everyone to stand up to conflict while his second son suddenly finds himself engaged to stop his girlfriend impregnating herself with a turkey baster only to find out he fathered another son some years before with a different woman. The final couple have to deal with the effects of the a working mum and child who prefers her dad to do things for her.

So basically there is a shit load going that is only made easy to follow if you have seen the film and know what to expect. They would have been better served to drop some of these subpolts from the pilot and extending them into the series as a whole. Often pilots try to take what will happen in the first series and crush down into the first episode to give people a taste of what they are going to see, but with so many subplots and characters you can struggle to figure out whose story you are suppose to be following.  Overall you have great actors and interesting dynamics, but there was nothing here in the plot or characters to get me excited to see the rest of the series. With other new shows like The Middle and Modern Family covering similar ground this season, Parenthood stands out as being a comic drama rather than a sitcom, although its execution is not as good as the more acclaimed Modern Family.

The series premiere of Parenthood was dedicated to the memory of Nora O’Brien, a Vice President at NBC, who died on the set of Parenthood in April 2009 in Berkeley, California.

Written by: Jason Katims
Directed by: Thomas Schlamme
Starring: Peter Krause, Lauren Graham, Dax Shepard, Monica Potter, Erika Christensen, Sam Jaeger
Date premièred: 2nd March2010
UK Details: TBC

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Review: Cougar Town

Sunday, October 4th, 2009

Sitting down to watch the much hyped Cougar Town I was surprised by its 22 minute run time, I had been expecting something more akin to Desperate Housewives, but since Eastwick seems to have gone that route, the single camera sitcom format is perfect. Created by Bill Lawrence the man behind Spin City and Scrubs, it stars Courtney Cox (Friends and Dirt) the show is certainly packing some veteran talent, even relative new comer Dan Byrd (Aliens in America) delivers a confident performance.

Newly divorced realtor Jules (Courtney Cox) is suddenly aware of her age, her sagging  body and prospect that she is doomed to spend the rest of her life a single mum. Although she thinks she has a close and kooky relationship with her son Travis (Dan Byrd), she is unaware of how she embarrasses him. Her younger friend Laurie (Busy Phillips) wants to get her out of the house and so she ends up in bar and later back her place to enjoy the benefits of sex with younger guy. A new world has opened up and for the first time in a long time she feels alive and unfortunately for her 17 year old son this is something he is going to have to get use to.

This is one busy pilot, almost as if it was written for an hour slot and boiled down, scenes struggle to last longer than the annoying guitar music that segways over each cut. At such break neck speed it is hard to keep track with all the characters, and rather than well formed B and C stories we get one big over complicated A story. What makes this frustrating is there is a lot of really good moments, characters and ideas here, we just are not given the time to enjoy them.  Hopefully as the series continues the pace will slow down so we catch our breath and enjoy the show.

We have become very use to seeing older guys with younger girls, but the Cougar movement is certainly challenging those expectations.  We have seen it in Desperate Housewives, joked about it on SNL, sighed at Accidentally on Purpose, but Cougar Town despite its title, might be the first to really examine the plight of the single middle aged woman.  The term Cougar is almost a misnomer here, Jules is just woman who has opened her eyes to the possibilities before her, she might even have the power to re-brand the Cougar as something exciting rather than scary. However, there is one bug, Courtney Cox still looks kinda hot, she still has a great body and all those other shallow things we look for, the idea that she is over the hill just is not realistic so it is hard to make an emotional connection to her dilemma when many women that age (and younger) would kill to look that good.

This is a fairly solid first outing for Bill Lawrence’s new show, scrubs had run its course (however, it is being rebooted later this year as Scrubs: Interns), so it must be good to for him to sink his teeth into something new.  The characters are all interesting to watch, although Courtney Cox’s new character doesn’t feel like she has too many differences to her most famous role as Monica, while Christa Miller is playing nearly exactly the same character as she did on scrubs. This isn’t bad thing, the actors are very comfortable in these shoes and revel in the performance. The comedy is more mature than we have seen from Bill in the past due to the sexual nature of the story.  This doesn’t feel like Scrubs or Spin City dumped in Florida, it stands confident in its own shoes.

The first episode performed very well and I expect in the coming weeks the initial order of 13 episodes to extended for a full 22.

Created and Written by: Bill Lawrence, Kevin Biegel
Directed by: Bill Lawrence
Starring: Courteney Cox, Dan Byrd, Ian Gomez, Brian Van Holt, Josh Hopkins, Christa Miller, Busy Philipps
Date premièred: 23rd September 2009
UK Details: Living 2010

Review: Eastwick

Saturday, September 26th, 2009

There is no effort to hide it, Eastwick is indeed a TV version of the 1987 Jack Nicholson movie The Witches Of Eastwick, which itself was based on the novel of the same name by John Updike. This is not the first time someone has tried to make The Witches of Eastwick into a TV series, the first attempt was in 1992, a pilot was shot and aired, but NBC failed to be picked up. Things then went quiet for 10 years, but in 2002 FOX tried again, with Marcia Cross who, when the show failed to be picked up, went to on star as Bree in Desperate Housewives. Third time lucky and with a whole new cast, ABC finally picked it up the show for an initial order of 13 episodes. The release of The Widows of Eastwick in 2008 and the stage musical probably helped raise the profile of the source material, making it a slightly more tempting offer for the commissioners.

Like many pilots this is all about set up, we meet the three women, who have very subtle magical powers causing events so slight they are quickly written off as coincidence. Although the three women all live in the same small town and know about each, because of their own preconceptions they have never talked. Roxie (Rebecca Romijn) is an a eccentric artist, Kat (Jaime Ray Newman) a swamped mother and nurse dealing with an alcoholic husband and finally Joanna (Lindsay Price), a shy and insecure reporter for the local paper. Following an event a the fair the three girls come together for drinks and as they start to learn a little more about each other they become fast friends. This gives the ladies a huge boost helping them to find the strength to say what they want from, or how they feel about others. Little do they realise that it is the mysterious dark and handsome stranger named Daryl (Paul Gross) who has just moved into town who is bringing them together and pulling the strings.

Comparisons to Desperate Housewives are immediately obvious, 3 middle aged women trying to juggle their home life, work life and social life in a small, but pleasant town. The mix of magic gives the show a light comic touch, although real issues and real consequences are present, we see two characters hospitalised in the first episode and the fact that that they have placed Kat there too means we are likely to see more. As a pilot most of the time is spent bringing at the characters together, although we see signs of magic none of the characters fully realise what this means or if it is even real. There is no talk of witches and Daryl’s presence in the town and his effect on the women remains a mystery. Of course if you have read the book or seen the film, you know that Daryl will be as likely to split them apart as bring them together. At the end of the pilot it is unclear how much power he has over the women and there is already a level of distrust. If the show is to have any longevity it would be wise to move away from the source material as soon as possible, there is plenty of scope for fun with witches running amuck in small town.

The pilot drew large audience figures for ABC and if subsequent episodes pull in similar figures, the show can no doubt look forward to a full season order of 22 episodes. Check back for updates.

Written by: Maggie Friedman (based on The Witches of Eastwick
by John Updike)
Directed by: David Nutter
Starring: Rebecca Romijn, Lindsay Price, Jaime Ray Newman, Paul Gross
Date premièred: 23rd September 2009
UK Details: The Hallmark Channel – Date TBC

Review: Accidentally on Purpose

Thursday, September 24th, 2009

Like the mass of new hospital based dramas, this year also sees a huge Cougar movement.  This has been brewing for a while in shows such as The New Adventures of Old Christine, Desperate Housewives and a popular sketch on Saturday Night Live, however it is also prevalent in reality with Demi Moore, Madonna and Hale Berry. While Accidentally on Purpose is not the biggest cougar show of the season (that title goes to Cougar Town – reviewed soon), it is the first.

In case you are asking what a cougar is, the Urban Dictionary defines a cougar as “An older woman who frequents clubs in order to score with a much younger man. The cougar can be anyone from an overly surgically altered wind tunnel victim, to an absolute sad and bloated old horn-meister, to a real hottie or milf.” Our hottie in question here is celebrity scientologist Jenna Elfman, who you might remember from Dharma And Greg or not… the show was quite forgettable.

So the show starts with Billie (Jenna) at her work party with her quirky friend Olivia (Ashley Jensen, who you might remember as the quirky friend in Ugly Betty and Ricky Gervais’ quirky friend in Extras), Billie has recently broken up with her boyfriend since he was not going to propose and now 37 she is feeling a little over the hill. Then she gets hit on by young 20 something chef Zach (Jon Foster), they go back to his bachelor pad and make babies on his mattress on the floor.

Now pregnant Billie decides to break off the relationship, but Zach’s dad walked out on him when he was a kid and he doesn’t want the same for his child, so although the relationship is sexually over he now moves in.

There you have it, the pilot sets the scene for Billie and Zach’s worlds of the professional and the young playstation playing bachelor to collide.  This episode is all set up and it is basically an odd couple comedy, beyond that there is nothing which is knock out funny or original, it just is a bog standard easy watching studio sitcom. There must be something bitter sweet for the actresses getting work from this the rise in popularity of the Cougar, on one hand they are getting work, but on the other they have been relegated to being portrayed as over the hill simply on account of their age on paper. In TV terms men at 37 have not yet reached the age where they can be classed as distinguished while women are clawing at the curtains desperate to get their hands on a wedding ring or a penis which ever comes first… no pun intended.

Written by: Ryan Murphy & Brad Falchuk & Ian Brennan
Directed by: Claudia Lonow
Starring: Jenna Elfman, Jon Foster, Ashley Jensen, Nicolas Wright, Grant Show, Lennon Parham
Date premièred: 21st September 2009
UK Details: TBC

Review: Glee

Wednesday, September 16th, 2009

After sitting through the terrible terrible Vampire Diaries, the prospect of sitting through another high school drama was not that appealing. On the surface Glee looked like a desperate attempt to grab the cinema going audience who enjoyed High School Musical and when ITV tried that with Britannia High it didn’t work that well. Since the pilot had been hanging around since it was tested after the American Idol finale in May, I thought I better get around to reviewing it.

Now Glee clubs is not something we have over in the UK and not really something we have seen in American high school TV shows and films.  We have no idea where Glee sits in the complex social hierarchy, we know jocks and cheerleaders are up top and we know nerds and band are down the bottom. This leaves Glee kind of floating in the middle with the debate team, the thesps and the Goths, although for the purposes of this show they are described as being in the basement.

Glee opens on the football field, not for the sports, but for the cheerleaders and there is the face and sends a wave of relief that this won’t be like any normal high school drama. Comedy actress Jane Lynch “You think this is hard? Try being waterboarded!”, she plays the coach of the school’s pride and joy cheerleaders known as the Cheerios, she is also the chief antagonist for the next person we meet. We meet the Spanish teacher Will Schuester, who was once part of the schools champion Glee team, so when the Glee coach is fired for a gay relationship with a pupil, he throws his hat into the ring, much to the disgust of his wife at home.

Auditions for the Glee club are carried out and rather opting for hilarious failed auditions, we actually get a series of talented singers, talented but funny characters. With the group in place Will realises they need more male voices, quite frankly the camp guy and the wheelchair bound guy, while fine singers don’t usher in the mix vocal and physical talents needed in the group.  Will sets his site on the football team where comes across quarterback Finn singing in the shower, a quick dastardly trick has him in the club.  With the group in place Will takes them on a field trip to check out the competition and see last years champions perform.  An amazing rendition of Amy Winehouse’s ‘Rehab’ is performed leaving our 6 members of Glee dumbfounded.  News that Will’s wife is pregnant shakes things up further and as he considers looking for a new job with better benefits, but after seeing the group perform ‘Don’t Stop Believing’ he realises that it kill him to see them win without him. There are some other stories around the singers, but I will leave you to discover those by yourself.

The series was created by Ryan Murthy who was behind Nip/Tuck and 2000sPopular, this is an ambitious show but easy to see why it will be a hit. The characters are sterotypes, but the writing is tight with a tongue firmly placed in the cheek. At Comic-Con someone was heard to describe it “as if High School Musical had been punched in the stomach and had its lunch money stolen.”This might me taking it a little too far, but the appeal is certainly wider than the tween audience who enjoyed those films. While there are shades of light and dark, the shows primary purpose is to entertain and well make you gleeful and at this it is a 100% successful guilty pleasure.

Going forward I don’t see many surprises in where the story is headed, obviously they are going to have to compete against the ‘Rehab’ team and probably win.  To do that they will need more members and hopefully that will throw enough tension into the mix to make the predictable journey worth going on. The relationship between Will and school guidance councillor, Emma will also be interesting, they seem a good match but Will is married.

Written by: Ryan Murphy & Brad Falchuk & Ian Brennan
Directed by: Ryan Murphy
Starring: Dianna Agron, Chris Colfer, Jessalyn Gilsig, Jane Lynch, Jayma Mays, Kevin McHale, Lea Michele, Cory Monteith, Matthew Morrison
Date premièred: 19th May 2009 (pilot), 7th September 2009 (Directors Cut)
UK Details: E4 – early 2010

Update 1

I just caught the second episode and there is no doubt that Jane Lynch is in danger of upstaging the whole musical cast with one of the most entertaining new characters I have seen this year.

Update 2

The third episode was a slight disappointment, but obviously not in the ratings as Fox has picked up the series for a full season order adding an extra 9 episodes.

Review: Sons of Tucson

Friday, August 21st, 2009

It has been a few years since Malcolm in the Middle left the airwaves and not doubt this was spotted by studio execs as 2 possible replacements are heading to a screen near you in the near future. Malcolm in the Middle creator Linwood Boomer has his new family comedy series The Karenskys, while former Malcolm in the Middle star Justin Berfield (Reese) has turned his hand to producing (alongside Jason Felts, Harvey Myman & Todd Holland) in the upcoming “Sons of Tucson”.

Greg Bratman, Tommy Dewey created the show and will be writers and supervising producers for the series. The duo met at Princeton and have performed improv and two-man shows in New York and LA before turning to television. This is the first major writing credit they have received.

Sons of Tucson is another show that is using the current economic crisis as a jumping off point for the series. In this case three brothers are left home alone when their father is arrested for banking fraud and with their mother out of the picture, the kids are facing going to a foster home. Enter Ron Snuffkin (Tyler Labine), a loser who works in hardware store and lives in his car. The boys pay him to pose as their father so they can be enrolled into school and avoid anyone noticing that they have no parents at home. Of course Ron has troubles of his own and needs the kids for than just money… well almost he needs money, but more money than the kids have to offer. However his estranged mother has always wanted grand kids and now he has them. Ultimately both the kids and Ron realise that they need each other, Ron is allowed to move out of his car and into the shed and remain on the payroll to be their father as and when needed.

As with any pilot there is a lot of information to sift through as the world is set up, so although we get to know Ron we only get a very surface level view of the three kids – smart kid, loud kid, fat kid. Currently scheduled as a mid-season show to break up Fox’s animated Sunday lineup, Sons of Tucson will originally be commissioned for 6-13 episodes. This has the promise of being quite a good show, it is slightly off kilter with definite shades of Malcolm in the Middle and Arrested Development – Season 1 [DVD], but currently doesn’t look surpass either of these hits. I’ll be watching but my hopes for a new Malcolm in the Middle are now be rested on The Karenskys.

Written by: Greg Bratman, Tommy Dewey
Directed by: Todd Holland
Starring: Natalie Martinez, Jake Busey, Tyler Labine
Date premièred: Spring 2010
UK Details: None available.

This review is based on the pilot and 2 kids are being recast before the show goes to air. Such is the fickle world of TV.

A big thanks to www.malcolminthemiddle.co.uk for the updates and corrections.

Review: The Cleveland Show

Saturday, August 8th, 2009

Seth MacFarlane’s Family Guy struggled on Fox for a couple of seasons before the execs decided that it wasn’t doing well enough and cancelled it. But all was not lost as public outcry got the show back on the air, but it short lived and the show was cancelled again in 2002.  For next few years DVDs continued to sell and the show syndicated on Adult Swim was still performing well.  Fox said lets have some more and Seth has been the darling of the channel ever since.  American Dad followed shortly after and then began rumours of a spin off show about Peter Griffin’s neighbour Cleveland.

The Cleveland Family

The Cleveland Family

The Cleveland Show has finally arrived.  Cleveland leaves Quahog with son in search of his dream in Hollywood.  On the way he passes through his home town and meets the girl he loved in high school who is now a single mother with a teenage daughter and smart alek toddler. Romance blossoms and Cleveland decides stay. While American Dad has a talking fish, Family Guy has a talking dog, The Cleveland Show has a talking bear.  Other neighbours include the local racist redneck, a middle aged hipster who lives with his mum.

So how does it stack up?  I have always been a fan of Seth’s work, it has done a great job in usurping the crown from the very tired animated rulers The Simpsons. Unfortunately there is little here to recommend in The Cleveland Show.  The family looks like a black version of the Griffins and you have to wonder how much election of a black president factored into the commissioning of the show (after all the other black sitcom Everybody Hates Chris just got cancelled leaving a gap in the market) but this show plays so heavily on stereotypes it boarders on offensive. They don’t hide this fact and even go as far as hanging a hat on it, “I hate it when white folks make a show they think black folk will watch.” Cleveland is not a character who excites very much, he kinda just goes with the flow, which means the people around him have to be over the top to generate the comedy. Even Stewie comments “What the hell, he’s getting his own show!”

With three shows running simultaneously, Seth is currently producing 66 episodes a year and that is a tall order for anyone.  We are yet to see how this will impact Family Guy and American Dad, but the outlook is not good.

Created by: Seth MacFarlane
Directed by: tbc
Starring: Mike Henr, Sanaa Lathan, Reagan Gomez-Preston, Kevin Michael Richardson, Seth MacFarlane
Date premièred: 27th September 2009
UK Details: TBC

In May 2009, the show was officially picked up for a first season consisting of 22 episodes, and a second season, consisting of 13 episodes.  The Cleveland Show is scheduled to début on 27th September 2009.


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