Posts Tagged ‘Comedy’

Review: Terriers

Friday, September 17th, 2010

Private Investigators, Dognapping and Murder.

FX is a channel that sits between mainstream channels like ABC, FOX and NBC and subscription channels like HBO and Showtime.  This has led to drama like The Shield, Sons of Anarchy and It’s Always Sunny in Philadelphia which are more risqué than shows on the mainstream channels, but avoid on screen graphic violence, sex and language that are common on the subscription channels. The Shield for example is known as one of the most gritty cop dramas ever produced, it deals with drugs, gangs and bad cops and yet not once in the 7 series was the word “Fuck” ever uttered, compare  that Oz, The Wire or Dexter. So when a new FX series starts you know that they will find a way to push the limits, but more importantly, because money is tight, they can not afford to make a series and then cut it from the schedules only show 2 episodes because it wasn’t performing, for this reason the scripts have to be better.

Terriers is a joint venture between Shawn Ryan (Creator of The Shield) and Ted Griffin (Writer of Ocean’s Eleven) and was commissioned for a full series order on the back of this pilot. A full series on FX is around 13 episodes and so shows do not suffer from a sudden order for 9 episodes after the show becomes a hit leaving the writers looking for a way to drag out the series.

In the first episode we see two friends who have a floundering unlicensed private investigator buisness, their services rather than earning them money are more likely to be traded in favours. Hank Dolworth is an ex cop and takes a job from a friend to find his daughter, this leads him and his partner Britt Pollack to a property developer who double hires the PIs to find the girl and return a ‘personal item’ she stole from him. As you would expect things soon spiral out of control and go beyond what the duo can deal with alone. They are left in a situation where they either cut their losses or step up to the big leagues.

I have radically simplified the plot, partly because it was so dense, but also to leave you a few surprises, as this is a show you should check out.  While the Private Investigator backdrop is nothing new (think Raymond Chandler’s Sam Spade or more recent examples such as the brilliant Brick and Jeff Goldblum’s Raines), the character portraits and story structure in this episode of Terriers is superb. From the outset we understand the dynamic between the two friends, we understand an obvious outer struggle (money) and gradually learn the greater personal struggles they need to overcome.  Hank needs to reconcile his past as an alcoholic cop and face up to losing his wife, Britt needs grow up and take more responsibility in the relationship with his girlfriend. Both men are floundering at the start of the episode, but their path is set at the end; as they look forward, the road may be tougher, but the rewards will be greater.

This is a solid first outing, there are some surprises, it is well written but ultimately we are left with all the staples of the genre, the all purpose rich bad guy, friction with the police, casual beatings, sexy vixens. As an example of the genre it is top notch, but adheres a little too close to the formula for it to feel like truly original drama.  I am looking forward to the next episode, but this not quite the must see show I was hoping for.

Created / Written by: Ted Griffin
Directed by: Craig Brewer
Starring: Donal Logue, Michael Raymond-James, Laura Allen, Rockmond Dunbar, Jamie Denbo, Kimberly Quinn
Date premièred: 8th September 2010
UK Details: TBA

Review: Keith Must Die

Tuesday, September 14th, 2010

Dying To Meet You.

On the eve of the much anticipated second episode of Keith Must Die, I will take this time to check out the little man’s first outing “X Marks the Spot.”  The plot of this first episode is so simple you are better of watching it than have me explain it to you.

Following in the footsteps of  The Bunny Suicides and Lemmings (who were not actually suicidal, but chased off cliff tops by Walt Disney) comes Keith a daredevil with one purpose and that is to die in creative ways. The mini skits are deceptively simple, but clearly attention has gone into the finer details. Notice for example how the knife does not slice Keith directly down the centre, but actually slightly to one side allowing the eyeball to be split. Or how the paint tin does not tip because it is dropped, but because the limp hand knocks it over.

Slightly more grim that Loony Tunes but blessed with the same great comic timing and subtle establishments that raise the piece higher than the simple idea would allow in less meticulous hands.  We look forward to his future endeavours and may Keith Rest In Pieces.

Created by: Gareth Moore
Developed and Written by: Gareth Moore and Phil Green
Directed by: Phil Green
Starring: Keith
Date premièred: 11th September 2010

Review: Melissa and Joey

Saturday, September 11th, 2010

Blossom Clashes With Sabrina.

As a kid I grew up watching Melissa Joan Hart in Clarissa Explains It All, she didn’t but I got a few laughs out of the show. Then as I grew, she grew up with me, maturing to the slightly more grown up Sabrina, the Teenage Witch and sure that got dragged out through university when she did a Maxim photoshoot, all was looking good, but then we parted ways.  I started to work for living and she stopped. Now our paths cross again as Melissa makes a return to TV in her new multi camera sitcom Melissa and Joey (Yes that Joey is the floppy haired (now shaven headed) brother to Blossom.

The series sees Melissa all grown up and working as a successful councilwoman and guardian to her niece and nephew. She has trouble in her love life, trouble at work and trouble dealing with the kids, but the answer to all her problems comes in the form of a man (Joey) angry that her brother-in-law screwed him out of all his money.  Joey, for no clear reason takes it upon himself to become a her nanny. Of course he is the greatest nanny ever, he cooks, cleans and solves all the kids’ problems with endearing heart to hearts. So starts the the most conventional love story of all time, two people who hate each other decide to work together.

I am going to bless you with the first two lines of dialogue from this show, so you get a sense of it.

Rhonda: Look at you public servant by day hottie by night. (obscene amount of laughter)
Melissa: Well I have to turn down the heat during day or no one would get anything done. (obscene amount of laughter)

It’s not funny! Neither of those two statements came even close to being a joke. My distaste for this show is epic.  Melissa hasn’t grown up at all!  More often than not the comedy is more suited to Nick Jr than prime time. Yes I know this is the ABC Family channel, but adults are expected to watch this too.  I guess that they felt that box was ticked with this little gem “Today Lenox handed out flyers with an original poem that rhymed her principal’s name in a way that didn’t go over well with Mrs Lunt“. Yep that is a “cunt” joke in family comedy, this never would have happened in Alf , it is isn’t subtle, clever or funny (check out this Anamatics clip to see how it should be done.) and they repeat the damn joke.

Melissa just runs around the set looking frantic, while Joey comes in angry and then turns into the dog whisperer of kids! There is nothing of merit in this sh0w, it is predictable, event led, it has no heart, no jokes and makes no sense. It is shows like this that killed the multi-camera sit-com. Just to be clear, the cast are fine, the script stinks. Maybe the writers knew this and included a sub-plot in which trash bags of “crap” are thrown at the house and held up in almost every scene. Hanging a hat on something obvious is a classic lazy writer’s trick, but David Kendall and Bob Young might very well have executed it better than at any point in history.

Created / Written by: David Kendall, Bob Young
Directed by: Ted Wass
Starring: Melissa Joan Hart, Joey Lawrence, Taylor Spreitler, Nick Robinson
Date premièred: 17th August 2010
UK Details: TBA

Review: The Big C

Saturday, September 11th, 2010

What’s Worse than a Maggot in Your Apple? Cancer.

Showtime’s new comic drama was originally called The C Word, but I guess they worried that Americans might think it was some kind of prequel or spin off to The L Word. The Big C sees yet another female led show on the channel’s schedules (Nurse Jackie, United States of Tara and Weeds still running and The L Word, Secret Diary Of A Call Girl and Fat Actress doing reruns), this is something that others appear to shy away from, certainly other powerhouses like HBO, FX and AMC, for all their great drama have not a single female led show among them… well maybe at push True Blood.

In the pilot we join Cathy after she has been diagnosed with melanoma, her life dramatically changed she embarks upon on a journey to reclaim her life.  She turns around and examines what her life has become, for too long has she taken for granted, ignored and made to feel her ideas are wrong or unimportant.  The cancer gives her the wake up call to take the opportunities to do and say all the things she wanted to.  All the relationships in her life change, her man child husband, her mollycoddled son, her eco crazy brother, her grumpy neighbour and her overweight student all get blast of the new Cathy.

There are a couple of things that really stood out to me in this pilot, first of all the inciting incident of the diagnoses happens before we join Cathy on her journey. This is economic storytelling and makes sense, in a cop show you don’t reveal the main character is a cop halfway through and in a show about a woman with cancer you might as well start with that too. We are not presented with her life pre-cancer and whether she was enjoying it or tolerating it. Second she doesn’t tell anyone that she has cancer, so to all the other characters it could seem like she is having some kind of mid-life crisis. Having lived her life for the benefit of others the change that comes with cancer sees her behaviour change, but focus remain the same.  She still wants the best for those in her life, but rather than supporting them as she has always done, she now slowly prepares them for a life without her.

For the most part the pilot is a series of set ups and reveals which make the unfolding story easy to watch and satisfying when we witness each pay off.  The characters are likeable and despite the subject matter the show is upbeat and life affirming rather than sad and depressing. Each series is suppose to span over one season, so this first series is set in the summer, the second series Autumn etc. Sounds fine for the adults, but the son is going to dramatically age over the next year of his TV life.  The creator has also promised not shy from reality and like we all knew the fate of the Titanic we also know what lies in wait for Cathy.

Final thoughts on this show are little ho-hum, I liked it, it was charming, but it did little to push the envelope of drama on TV and I am not sure how many life affirming storylines I can take before I get bored and the promised guest stars Idris Elba, Brian Cox, Liam Neeson and Cynthia Nixon are unlikely to pull me back.

Created / Written by: Darlene Hunt
Directed by: Bill Condon
Starring: Laura Linney, Oliver Platt, Gabriel Basso, John Benjamin Hickey, Phyllis Somerville
Date premièred: 16th August 2010
UK Details: TBC

Review: Louie

Thursday, July 1st, 2010

Back in 2006 Louis C.K. took a stab at the traditional sitcom with his HBO show Lucky Louie. Using the traditional 3 camera set up and a live studio audience it was a bold choice when many other comedies had switched to the single camera format. However after a single series HBO said “no more”, this was not due to ratings, as the show had a strong cult following, but because the critics didn’t like it and HBO’s image was more important (Sadly my rage at True Blood has not led to a similar fate for that show). Anyway Louis when back out on the stand up circuit, picking up a roll on Parks and Recreation before FX finally offered him a new show.

There is actually not much in the way of a plot here, instead what you have is Louis C.K. doing a bit stand up before cutting to a short vignette, a little more than a sketch, but a lot less than actual sitcom.  Based loosely on his own life we are introduced to Louie who is a divorced father of two, in the pilot we see him with kids on a school trip and a failed date.  Both show his difficulties in the situation as he tries to take control of the situation on the school bus, but fails in every way with his date.

I can’t hide my disappointment, I really liked Lucky Louie and Louis C.K. is a great stand-up with a strong voice and a unique take on the world.  Here however I feel we lose a lot of the controversy of his comedy. From what I have seen before he has the ability to take you to a dark place before pulling you back out; For example there was a stand out episode of Lucky Louie where he called his wife a cunt, or his stand up idea on why we should not be so angry a paedophiles (see below).  This show seems to lack heart, in both vignettes he doesn’t make the tough choices that would make his life better, played more for laughs than story we see no desire to improve himself that was so clear in his previous sitcom.

Created / Written by: Louis C.K.
Directed by: Louis C.K.
Starring: Louis C.K.
Date premièred: 29th June 2010
UK Details: TBC

Double Review: Memphis Beat and Justified

Wednesday, June 30th, 2010

It seems like drama has moved south. A trend perhaps started by True Blood and followed by Treme, The Good Guys, Outlaw Country, the recently wrapped up Justified and new entry Memphis Beat. Since these last two have more than little in common I will review both now.

Justified starts with U.S Marshal Raylan Givens (Timothy Olyphant) sat down with a known fugitive, he offers him the choice to leave town or die, pulling a gun on Raylan seals his fate, but that is one too many shootings and Raylan is reassigned to is home town in Kentucky. Here childhood friend Boyd Crowder(Walton Goggins has turned into redneck racist and is not only responsible for the murder of one of his gang members but also for launching a rocket into a black church. Tracking down Crowder leads Raylan to cross paths with his past, an ex-wife, a childhood admirer and the mystery of surround his estranged father. Ultimately it all leads to showdown where he is placed in a similar situation as the first scene and has to make the call about shooting his childhood friend.

Based on the character created by Elmore Leonard the pilot sets up that all too familiar police dynamic and while Raylan maybe more gentleman than brute force, his unconventional methods still rials up his boss. With The Shield finishing on such a high last year, it was great to see the return of the brilliant Walton Goggins to the TV screens, he manages to infuse real character in what could a horrible stereotype in other hands. The pilot serves to set up the interesting characters and dynamics, but as a result feels a little back story heavy with many key events taking place prior to the first episode. With a setting that takes us out of the cities we have become use to in other cop shows, there is certainly scope for fresh storylines. However, although bold in the early stages highlighting the consequence of a policeman shooting his gun, by the end you get the feeling that as long as it is a bad guy getting shot, that is all the justification needed.

In the pilot episode of Memphis Beat we are introduced to Dwight Hendricks (Jason Lee) a policeman with very good instincts. When an abused old woman is brought into the station, Dwight learns she was once a great radio DJ who first introduced him to Elvis (he is now an Elvis impersonator in  his spare time).  Emotionally involved in the case his new boss does not approve of his unconventional methods, constantly taking him off the case, this however does not stop his investigation until he finds her abuser.

From the first shot of Jason Lee you start to wonder if this is suppose to be a comedy, then you see the scrawny DJ Qualls in uniform and you know think it is a comedy, then when the first criminal’s trousers fall down, you sigh as it becomes “that type of comedy”. But that is where the comedy ends and a run of the mill police drama starts. Characters are flat and one note facing few, if any consequences for their actions. Only two things stand out, the music (an excellent from soundtrack from start to finish) and the setting. Dwight’s amazing instincts are often mentioned, but there is no explanation about where this comes from, he is no Mentalist and his skills serve only to move the plot forward in a quick and convenient way.

So in a quick summary, Memphis Beat sees Southern gentleman cop Dwight Hendricks solve crime with his unique powers of insight which goes against his by the book boss’ wishes. Justified meanwhile takes place in neighbouring state where U.S Marshal and southern gentleman Raylan Givens upsets his by the book boss because of a trigger happy finger.

Memphis Beat did nothing to peak my interest, I did not get involved with the main character and the horrible mix of comedy and drama was off balance and distracting. I have made it through the first series of Justified and much like the pilot there are some stand out moments that raise it above the usual network offerings, but it is not bold or fresh enough to stand up against other police dramas such as The Shield and The Wire. Law enforcement will always be a popular choice for drama, like medical shows it allows for an easy, self contained story each week, but it is such a well trodden path that you have to throw in something new to win me over.

I’m already dreading the next police drama on my review list Rookie Blue.

Memphis Beat
Created / Written by: Josh Harto and Liz Garcia
Directed by: John Fortenberry
Starring: Jason Lee, Alfre Woodard, DJ Qualls, Celia Weston, Sam Hennings, Leonard Earl Howze, Abraham Benrubi
Date premièred: 22nd June 2010 (TNT)
UK Details: TBC

Justified
Created / Written by: Graham Yost based the character created Elmore Leonard and his short story “Fire in the Hole”
Directed by: TBC
Starring: Timothy Olyphant, Nick Searcy, Erica Tazel, Jacob Pitts, Joelle Carter, Natalie Zea,
Date premièred: 16th March 2010 (FX)
UK Details: 5th May 2010 (FIVE USA)

Review: Parenthood (2010)

Sunday, March 14th, 2010

Once upon a time Steve Martin was an A-list star and little Richie Cunningham was yet to win an Oscar, they teamed with Neo and a bunch of other faces you recognise from the 80s to make Parenthood.  Such a success was this multi generational look at one of life’s greatest challenges network TV rushed out to make a small screen version. Ed Begley Jr, David Arquette and Leonardo DiCaprio took on the roles of their big screen counterparts, unfortunately for Leo, the series followed the fate of other 80s and early 90s movies turned TV shows (Working Girl, Ferris Bueller, Uncle Buck and Baby Talk (based on the film Look Who’s Talking)) and lasted only on series.

Jump forward 20 years and the Buckmans are now the Bravermans and the new head of the house is Six Feet Under star Peter Krause. Originally intended for a September airing it pushed back to the mid-season as actress Maura Tierney was diagnosed with breast cancer, as a result Mercy was brought up in its place. Tiernay went on to leave the series due to her treatment and Lauren Graham took her place.

Parenthood is not so much a spin of off the film, but a re-imagining, both the show and film start off at the same point and at least for the pilot follow a very similar path. The premise is to show 4 siblings as they struggle at various stages of parenthood (the parents of teenagers, toddlers, tweens and the expecting all watched over by the veteran of child rearing), the scope is huge, so how does the show stack up? Well its a bit of mixed bag, the plot follows the film closely minus the huge baby closing. However, by crushing a 2 hour film down 40 minutes you end up with quite an unfocused story with way too many events that conveniently happen over the space of a week.    Adam Braverman (Krause) and the problems with his nervous son which is so prominent in the film is quickly pushed into the background as we instead follow newly divorced mother of two, Sarah (Lauren Graham) as she relocates closer to her family and starts dating again. All the time the patriarch of the family pushes everyone to stand up to conflict while his second son suddenly finds himself engaged to stop his girlfriend impregnating herself with a turkey baster only to find out he fathered another son some years before with a different woman. The final couple have to deal with the effects of the a working mum and child who prefers her dad to do things for her.

So basically there is a shit load going that is only made easy to follow if you have seen the film and know what to expect. They would have been better served to drop some of these subpolts from the pilot and extending them into the series as a whole. Often pilots try to take what will happen in the first series and crush down into the first episode to give people a taste of what they are going to see, but with so many subplots and characters you can struggle to figure out whose story you are suppose to be following.  Overall you have great actors and interesting dynamics, but there was nothing here in the plot or characters to get me excited to see the rest of the series. With other new shows like The Middle and Modern Family covering similar ground this season, Parenthood stands out as being a comic drama rather than a sitcom, although its execution is not as good as the more acclaimed Modern Family.

The series premiere of Parenthood was dedicated to the memory of Nora O’Brien, a Vice President at NBC, who died on the set of Parenthood in April 2009 in Berkeley, California.

Written by: Jason Katims
Directed by: Thomas Schlamme
Starring: Peter Krause, Lauren Graham, Dax Shepard, Monica Potter, Erika Christensen, Sam Jaeger
Date premièred: 2nd March2010
UK Details: TBC

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Review: Cougar Town

Sunday, October 4th, 2009

Sitting down to watch the much hyped Cougar Town I was surprised by its 22 minute run time, I had been expecting something more akin to Desperate Housewives, but since Eastwick seems to have gone that route, the single camera sitcom format is perfect. Created by Bill Lawrence the man behind Spin City and Scrubs, it stars Courtney Cox (Friends and Dirt) the show is certainly packing some veteran talent, even relative new comer Dan Byrd (Aliens in America) delivers a confident performance.

Newly divorced realtor Jules (Courtney Cox) is suddenly aware of her age, her sagging  body and prospect that she is doomed to spend the rest of her life a single mum. Although she thinks she has a close and kooky relationship with her son Travis (Dan Byrd), she is unaware of how she embarrasses him. Her younger friend Laurie (Busy Phillips) wants to get her out of the house and so she ends up in bar and later back her place to enjoy the benefits of sex with younger guy. A new world has opened up and for the first time in a long time she feels alive and unfortunately for her 17 year old son this is something he is going to have to get use to.

This is one busy pilot, almost as if it was written for an hour slot and boiled down, scenes struggle to last longer than the annoying guitar music that segways over each cut. At such break neck speed it is hard to keep track with all the characters, and rather than well formed B and C stories we get one big over complicated A story. What makes this frustrating is there is a lot of really good moments, characters and ideas here, we just are not given the time to enjoy them.  Hopefully as the series continues the pace will slow down so we catch our breath and enjoy the show.

We have become very use to seeing older guys with younger girls, but the Cougar movement is certainly challenging those expectations.  We have seen it in Desperate Housewives, joked about it on SNL, sighed at Accidentally on Purpose, but Cougar Town despite its title, might be the first to really examine the plight of the single middle aged woman.  The term Cougar is almost a misnomer here, Jules is just woman who has opened her eyes to the possibilities before her, she might even have the power to re-brand the Cougar as something exciting rather than scary. However, there is one bug, Courtney Cox still looks kinda hot, she still has a great body and all those other shallow things we look for, the idea that she is over the hill just is not realistic so it is hard to make an emotional connection to her dilemma when many women that age (and younger) would kill to look that good.

This is a fairly solid first outing for Bill Lawrence’s new show, scrubs had run its course (however, it is being rebooted later this year as Scrubs: Interns), so it must be good to for him to sink his teeth into something new.  The characters are all interesting to watch, although Courtney Cox’s new character doesn’t feel like she has too many differences to her most famous role as Monica, while Christa Miller is playing nearly exactly the same character as she did on scrubs. This isn’t bad thing, the actors are very comfortable in these shoes and revel in the performance. The comedy is more mature than we have seen from Bill in the past due to the sexual nature of the story.  This doesn’t feel like Scrubs or Spin City dumped in Florida, it stands confident in its own shoes.

The first episode performed very well and I expect in the coming weeks the initial order of 13 episodes to extended for a full 22.

Created and Written by: Bill Lawrence, Kevin Biegel
Directed by: Bill Lawrence
Starring: Courteney Cox, Dan Byrd, Ian Gomez, Brian Van Holt, Josh Hopkins, Christa Miller, Busy Philipps
Date premièred: 23rd September 2009
UK Details: Living 2010

Review: Eastwick

Saturday, September 26th, 2009

There is no effort to hide it, Eastwick is indeed a TV version of the 1987 Jack Nicholson movie The Witches Of Eastwick, which itself was based on the novel of the same name by John Updike. This is not the first time someone has tried to make The Witches of Eastwick into a TV series, the first attempt was in 1992, a pilot was shot and aired, but NBC failed to be picked up. Things then went quiet for 10 years, but in 2002 FOX tried again, with Marcia Cross who, when the show failed to be picked up, went to on star as Bree in Desperate Housewives. Third time lucky and with a whole new cast, ABC finally picked it up the show for an initial order of 13 episodes. The release of The Widows of Eastwick in 2008 and the stage musical probably helped raise the profile of the source material, making it a slightly more tempting offer for the commissioners.

Like many pilots this is all about set up, we meet the three women, who have very subtle magical powers causing events so slight they are quickly written off as coincidence. Although the three women all live in the same small town and know about each, because of their own preconceptions they have never talked. Roxie (Rebecca Romijn) is an a eccentric artist, Kat (Jaime Ray Newman) a swamped mother and nurse dealing with an alcoholic husband and finally Joanna (Lindsay Price), a shy and insecure reporter for the local paper. Following an event a the fair the three girls come together for drinks and as they start to learn a little more about each other they become fast friends. This gives the ladies a huge boost helping them to find the strength to say what they want from, or how they feel about others. Little do they realise that it is the mysterious dark and handsome stranger named Daryl (Paul Gross) who has just moved into town who is bringing them together and pulling the strings.

Comparisons to Desperate Housewives are immediately obvious, 3 middle aged women trying to juggle their home life, work life and social life in a small, but pleasant town. The mix of magic gives the show a light comic touch, although real issues and real consequences are present, we see two characters hospitalised in the first episode and the fact that that they have placed Kat there too means we are likely to see more. As a pilot most of the time is spent bringing at the characters together, although we see signs of magic none of the characters fully realise what this means or if it is even real. There is no talk of witches and Daryl’s presence in the town and his effect on the women remains a mystery. Of course if you have read the book or seen the film, you know that Daryl will be as likely to split them apart as bring them together. At the end of the pilot it is unclear how much power he has over the women and there is already a level of distrust. If the show is to have any longevity it would be wise to move away from the source material as soon as possible, there is plenty of scope for fun with witches running amuck in small town.

The pilot drew large audience figures for ABC and if subsequent episodes pull in similar figures, the show can no doubt look forward to a full season order of 22 episodes. Check back for updates.

Written by: Maggie Friedman (based on The Witches of Eastwick
by John Updike)
Directed by: David Nutter
Starring: Rebecca Romijn, Lindsay Price, Jaime Ray Newman, Paul Gross
Date premièred: 23rd September 2009
UK Details: The Hallmark Channel – Date TBC

Review: Accidentally on Purpose

Thursday, September 24th, 2009

Like the mass of new hospital based dramas, this year also sees a huge Cougar movement.  This has been brewing for a while in shows such as The New Adventures of Old Christine, Desperate Housewives and a popular sketch on Saturday Night Live, however it is also prevalent in reality with Demi Moore, Madonna and Hale Berry. While Accidentally on Purpose is not the biggest cougar show of the season (that title goes to Cougar Town – reviewed soon), it is the first.

In case you are asking what a cougar is, the Urban Dictionary defines a cougar as “An older woman who frequents clubs in order to score with a much younger man. The cougar can be anyone from an overly surgically altered wind tunnel victim, to an absolute sad and bloated old horn-meister, to a real hottie or milf.” Our hottie in question here is celebrity scientologist Jenna Elfman, who you might remember from Dharma And Greg or not… the show was quite forgettable.

So the show starts with Billie (Jenna) at her work party with her quirky friend Olivia (Ashley Jensen, who you might remember as the quirky friend in Ugly Betty and Ricky Gervais’ quirky friend in Extras), Billie has recently broken up with her boyfriend since he was not going to propose and now 37 she is feeling a little over the hill. Then she gets hit on by young 20 something chef Zach (Jon Foster), they go back to his bachelor pad and make babies on his mattress on the floor.

Now pregnant Billie decides to break off the relationship, but Zach’s dad walked out on him when he was a kid and he doesn’t want the same for his child, so although the relationship is sexually over he now moves in.

There you have it, the pilot sets the scene for Billie and Zach’s worlds of the professional and the young playstation playing bachelor to collide.  This episode is all set up and it is basically an odd couple comedy, beyond that there is nothing which is knock out funny or original, it just is a bog standard easy watching studio sitcom. There must be something bitter sweet for the actresses getting work from this the rise in popularity of the Cougar, on one hand they are getting work, but on the other they have been relegated to being portrayed as over the hill simply on account of their age on paper. In TV terms men at 37 have not yet reached the age where they can be classed as distinguished while women are clawing at the curtains desperate to get their hands on a wedding ring or a penis which ever comes first… no pun intended.

Written by: Ryan Murphy & Brad Falchuk & Ian Brennan
Directed by: Claudia Lonow
Starring: Jenna Elfman, Jon Foster, Ashley Jensen, Nicolas Wright, Grant Show, Lennon Parham
Date premièred: 21st September 2009
UK Details: TBC


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