Posts Tagged ‘Drama’

Review: Identity

Monday, July 12th, 2010

British drama has a bad rap round here, it has been a long time since a British show grabbed my attention, however in fairness it has not been since the second episode of Breaking Bad that I have really felt hooked on a new show. ITV’s latest offering is Identity, a drama that follows the investigators involved in identity fraud.

The series opens with a bang, a policeman lying in the street having been shot during a tense stand off in a suburban street. The man responsible for the shooting claims he is the victim of identity fraud and that someone else has committed the crimes he is accused of, of course that doesn’t explain why he shot a policeman. Anyway when the siege has ended the Identity Fraud squad enter and start to chase down leads to find the man responsible. Paper trials and witness interviews all climax in an action chase scene around a school.

The problem with bad cop shows is that the protagonist can be a bit of a mystery, this is a classic example of not knowing who we are suppose to care about. Do we care about the man who had his identity stolen, but then shot a cop? Do we care about the investigators who are just doing their job? Do we care about the identity thief who had his own life taken from him? Me personally I didn’t care about any of them, no one really had to make a tough choice and there was no stake raising towards the end, nothing to lose and nothing to gain. Even though the camera kept whizzing around, at the end of the day it was all about following receipts and making connections that is all pretty dull when that is being spoon fed to you and crazy action chases mean nothing if you are not emotionally involved. In the end we learn that one of the Fraud Squad is leading a double life in a Turkish criminal gang, so we can presume that this will provide the series arc, but why just throw it in in the last three minutes of the show? It comes from nowhere and feels like an after thought.

Identity fraud can screw up your life, there is no doubt about that, but trying to capture that from the point of view of the investigators is just dull, no matter how many chases you throw in. With another five episodes to go it is unclear what more they can throw at the screen to fool me into thinking that identity fraud is a ticking time bomb of destruction. Watch the trailer below to see just how overblown this is…

Created / Written by: Ed Whitmore
Directed by: Brendan Maher
Starring: Aidan Gillen, Keeley Hawes, Holly Aird, Elyes Gabel, Shaun, Patrick Baladi
Date premièred: 5 July 2010 – ITV1

Double Review: Memphis Beat and Justified

Wednesday, June 30th, 2010

It seems like drama has moved south. A trend perhaps started by True Blood and followed by Treme, The Good Guys, Outlaw Country, the recently wrapped up Justified and new entry Memphis Beat. Since these last two have more than little in common I will review both now.

Justified starts with U.S Marshal Raylan Givens (Timothy Olyphant) sat down with a known fugitive, he offers him the choice to leave town or die, pulling a gun on Raylan seals his fate, but that is one too many shootings and Raylan is reassigned to is home town in Kentucky. Here childhood friend Boyd Crowder(Walton Goggins has turned into redneck racist and is not only responsible for the murder of one of his gang members but also for launching a rocket into a black church. Tracking down Crowder leads Raylan to cross paths with his past, an ex-wife, a childhood admirer and the mystery of surround his estranged father. Ultimately it all leads to showdown where he is placed in a similar situation as the first scene and has to make the call about shooting his childhood friend.

Based on the character created by Elmore Leonard the pilot sets up that all too familiar police dynamic and while Raylan maybe more gentleman than brute force, his unconventional methods still rials up his boss. With The Shield finishing on such a high last year, it was great to see the return of the brilliant Walton Goggins to the TV screens, he manages to infuse real character in what could a horrible stereotype in other hands. The pilot serves to set up the interesting characters and dynamics, but as a result feels a little back story heavy with many key events taking place prior to the first episode. With a setting that takes us out of the cities we have become use to in other cop shows, there is certainly scope for fresh storylines. However, although bold in the early stages highlighting the consequence of a policeman shooting his gun, by the end you get the feeling that as long as it is a bad guy getting shot, that is all the justification needed.

In the pilot episode of Memphis Beat we are introduced to Dwight Hendricks (Jason Lee) a policeman with very good instincts. When an abused old woman is brought into the station, Dwight learns she was once a great radio DJ who first introduced him to Elvis (he is now an Elvis impersonator in  his spare time).  Emotionally involved in the case his new boss does not approve of his unconventional methods, constantly taking him off the case, this however does not stop his investigation until he finds her abuser.

From the first shot of Jason Lee you start to wonder if this is suppose to be a comedy, then you see the scrawny DJ Qualls in uniform and you know think it is a comedy, then when the first criminal’s trousers fall down, you sigh as it becomes “that type of comedy”. But that is where the comedy ends and a run of the mill police drama starts. Characters are flat and one note facing few, if any consequences for their actions. Only two things stand out, the music (an excellent from soundtrack from start to finish) and the setting. Dwight’s amazing instincts are often mentioned, but there is no explanation about where this comes from, he is no Mentalist and his skills serve only to move the plot forward in a quick and convenient way.

So in a quick summary, Memphis Beat sees Southern gentleman cop Dwight Hendricks solve crime with his unique powers of insight which goes against his by the book boss’ wishes. Justified meanwhile takes place in neighbouring state where U.S Marshal and southern gentleman Raylan Givens upsets his by the book boss because of a trigger happy finger.

Memphis Beat did nothing to peak my interest, I did not get involved with the main character and the horrible mix of comedy and drama was off balance and distracting. I have made it through the first series of Justified and much like the pilot there are some stand out moments that raise it above the usual network offerings, but it is not bold or fresh enough to stand up against other police dramas such as The Shield and The Wire. Law enforcement will always be a popular choice for drama, like medical shows it allows for an easy, self contained story each week, but it is such a well trodden path that you have to throw in something new to win me over.

I’m already dreading the next police drama on my review list Rookie Blue.

Memphis Beat
Created / Written by: Josh Harto and Liz Garcia
Directed by: John Fortenberry
Starring: Jason Lee, Alfre Woodard, DJ Qualls, Celia Weston, Sam Hennings, Leonard Earl Howze, Abraham Benrubi
Date premièred: 22nd June 2010 (TNT)
UK Details: TBC

Justified
Created / Written by: Graham Yost based the character created Elmore Leonard and his short story “Fire in the Hole”
Directed by: TBC
Starring: Timothy Olyphant, Nick Searcy, Erica Tazel, Jacob Pitts, Joelle Carter, Natalie Zea,
Date premièred: 16th March 2010 (FX)
UK Details: 5th May 2010 (FIVE USA)

Review: Persons Unknown

Wednesday, June 23rd, 2010

The season finale of Lost has left a hole that many want to fill.  They think the trick is to hook an audience in with a big mystery with the promise that if they just keep watching all the answers will be revealed. Persons Unknown comes from the fine writing pedigree that brought us The Usual Suspects and said to be carefully constructed over a 13 episode arch.  Interestingly this series has been financed differently to the norm, FOX pre-sold the series to international markets, then made it in locations that offer great tax breaks, the finished series was then shopped to US networks where NBC picked it up.

The story opens when single mother Janet is in the park with her daughter, distracted by issues relating to her ex-husband her daughter goes missing.  Panicked Janet looks for her before being kidnapped herself.  She wakes up in a hotel, quickly she finds she is not the only one kidnapped.  There is a stereotypical soldier, stereotypical party girl, the man who doesn’t want t talk about his past, the man who owns a car dealership, a woman with medical knowledge. Together they start exploring outside the hotel where they find themselves in a ghost town.  Two of them decide to leave, but when reaching the end of the road they pass out.  Panicked the remaining members hide until Chinese restaurant opens up, failing to get answers from the staff about why they have kidnapped they settle down to dinner. At the end of the meal they open fortune cookies which I assume will mean more later on in the series.  After a tough day with no questions answered the group return to the hotel, because what else is there to do.

When I first heard about this series I thought it was going to be like the excellent low budget movie Cube , an interesting study on character and how the individual’s unique skills benefit the group. This is not however where Persons Unknown is heading.

I think a lot of people still feel burnt by Lost, the set up of a big mystery and then the failure to deliver on that promise.  Flash Forward which in many ways was gearing up to take over the sprawling interwoven sci-fi hole left by Lost was cancelled after the first series leaving people with a bizarre cliff-hanger and no answers. Persons Unknown may fall foul to audience apathy as the pilot fails to explain anything, instead just opening more mystery.  The characters never really make any bold choice or learn from their experience, they all follow each other around like a pack of sheep as if individualism and character might get in the way of devices that lead the plot. When Lost first started individual character journey’s was what grabbed the audience the mystery came second.  In Persons Unknown the mystery is right up front and is the only thing people talk about, I don’t care about these characters because the writers have given me nothing.  Sure she has a child who will now be raised by a possibly abusive grandmother, but I have not seen anything of that child to care.  It is a cheat, shorthand tricks for why should feel and urgency for the characters to escape.

Three episodes in and the series is already haemorrhaging viewers at such rate that the full 13 episodes may not broadcast, another reason why viewers may not keep tuning in, they have been down this path before investing in a show only to see it get cancelled.

Created / Written by: Christopher McQuarrie
Directed by: Michael Rymer
Starring: Alan Ruck,  Jason Wiles,  Daisy Betts, Chadwick Boseman, Kate Lang Johnson, Gerald Kyd, Tina Holmes, Sean O’Bryan, Lola Glaudini
Date premièred: 7th June 2010 (NBC)
UK Details: TBA

Review: Pulse

Monday, June 7th, 2010

BBC3 has opened its doors to give viewers a sneak peak into three new shows it has lined up.  This started with supernatural, medical horror Pulse which debuted online one week before its TV broadcast and followed up a week later with Stanley Park and Dappers, but more on those in the coming days, but today we start with Pulse.

A great starting point for any horror is to identify a common fear and then exploit it.  For many hospitals, although being a place of healing can also be terrifying, you don’t check in if there is nothing wrong with you and while you are there you have to put your faith in these doctors who supposedly have your best interest at heart, but are at the end of the day just doing their job.  So with the setting seemingly right how does this new BBC pilot play out?

Hannah resumes her training at one of the country’s top teaching hospitals, it has been a year since she broke down following the death of her mother.  Haunted by spectres in mirrors Hannah finds herself reluctantly following her in mother’s footsteps in career she is not sure she really wants to be in. Her dedication to one particular patient leads her to discover that at night strange things are going on the hospital. Hannah’s former lover and promising surgeon Nick has problems of his own, following an operation he manages to infect himself with something that he needs to keep under control with frequent injections. Hannah soon discovers that he is involved with something paranormal when she is attacked by a corpse, freaking effected by the sickness Nick  Hannah away for her own safety promising to reveal all, instead he takes his life leaving Hannah with old questions unanswered and new ones burning. Are the experiments that go in the hospital just about saving lives or is there something far more sinister.

The show is determined to pack in as many horror clichés as it can, from the rotting corpse  appearing in the mirror, girl chased down corridors, locked in a library with a stranger, no one believes her, the double twist ending, unexpected people spring out from around corners the list goes on. Horror is a rare genre for TV series, the only one I can name with a continuing storyline is the unsuccessful Harper’s Island.  It seems audience need to resolve device laden issues that come along with horror in a single episode rather than over the course of the series.  Going back to the idea of a hospital as a scary place, the shift here is that we see that fear from the point of view of the doctors; it is something we can not so readily associate with.  Hannah is warned not to get too close to the patients, in doing she is more affected when something goes wrong, but this is also what opens her eyes to the dark side of the hospital. Since Hannah is on the inside, she should start to figure things out quickly. There is a danger that Pulse could fall into the same traps as True Blood where twists are either so obvious the reveal, when it comes, is a major disappoint or so hidden that it feels like it was plucked at random.

Right now Pulse has failed to grab me, sure there is some crazy shit going on in the hospital, but if I am going to invest my time into something I need to care about the characters and their relationships.  The main character Hannah is such a loner in the first episode that she fails to have even one meaningful friendship. I assume that sooner or later the other interns will get dragged into what is going on behind the scenes of the hospital, but right now one believer and cast of sceptics or conspirators does little to perk my interest.

Created / Written by: Paul Cornell, Ben Teasdale and Tom McRae.
Directed by: James Hawes
Starring: Stephen Campbell Moore, Claire Foy, Ben Miles, Caroline Goodall, Arsher Ali, Emily Beecham, Alan Williams, Gregg Chillin, Matti Houghton, Eileen Davies
Date premièred: 3rd June 2010 – BBC3 (available on iplayer 27th June 2010)

Review: Treme

Saturday, June 5th, 2010

Alright this is a little late especially since got to see a preview of the pilot at the BFI a couple of months ago. So lets dive right in.  How do you follow up what is considered by many to be the finest television drama of all time? Well that is problem that faced David Hudgins writer and creator of Past Life… only kidding! David Simon the show runner of HBO’s The Wire had the tough job of following up on the critical acclaim of the Baltimore set drama, in order to deliver he teamed up with The Wire writer Eric Overmyer to create Treme. The New Orleans drama set 3 months after Katrina looks at the working class district of Treme as musicians cooks and inhabitants struggle to get back on their feet while dealing with the fallout of  the disaster. In 2007 Fox greenlit K-Ville, a post Katrina New Orleans police drama, the series was cut short during production and ultimately never even screened all the episodes that were shot. So how does HBOs take on event stack up?

Like The Wire, Treme is an ensemble cast of characters who all are looking for a way to survive in the damaged city. The main thrust of the pilot follows Antoine Batiste (Wendell Pierce) a trombonist who arrives in the  New Orleans neighbourhood of Treme as it holds its first “second-line parade since the flood. Antoine is desperately chasing up friends looking for the next gig so he can survive, since the storm washed away his car, he has to rely on taxis to get him everywhere, and regrettably much of the money he earns is lost in that endeavour.  Meanwhile his ex-wife LaDonna Batiste-Williams (Khandi Alexander) discovers her brother thought to be killed in the storm is still alive thanks to the help of civil rights lawyer Toni Bernette (Melissa Leo). Her husband Creighton Bernette (John Goodman) fights to get the truth about governments failings both during and before Katrina. Janette Desautel (Kim Dickens) runs a restaurant, that despite being very busy is in danger of closure as she waits for the insurance to arrive. Davis McAlary (Steve Zahn) is a DJ with a passion for the music and culture New Orleans, a struggling musician he battles the Man and his ignorance of outsiders as he defends the music he loves. Finally Albert Lambreaux (Clarke Peters) returns home to find it destroyed by the storm, as a Mardi Gras Indian chief, he beings trying to bring back his tribe, including his son Delmond (Rob Brown) who has found the music scene New York more to his taste. The near feature length pilot sets all these stories in motion, introducing us to this culture and what we can expect to see over the series.

There is no big mystery or mission in Treme, the characters occasionally cross paths, but they are all heading in their own direction regardless of what the others are doing. Watching the pilot we get see the heartbreak of seeing a home wrecked by the flood, the families that have been displaced and businesses struggling as they wait for tourists to return.  Ultimately however there is a certainty that New Orleans is worth saving and will return with full swing.

Watching Treme for the first time, I was totally grabbed by music, the characters and the culture, the show boasts appearance form many local musicians, something which is clear for the weathered and often un-TV like faces. However, despite the rich tapestry I often found myself not really caring about the stories.  This is a slow burner, many of the characters are just trying to get by day by day, therefore there are few victories they can claim and those they do are small. Albert’s big victory is getting the water damaged junk removed from outside his bar, or Antoine getting another paid gig. Sometimes it can just feel like watching a series of beautiful snap shots, moments in time, like The Wire, Treme is in it for the long game a means to explore deeper far reaching stories, rather than the “case of week” formula used on so many other shows.

HBO has already renewed the show for a second season.

Created / Written by: David Simon, Eric Overmyer
Directed by: Agnieszka Holland
Starring: Wendell Pierce, Khandi Alexander, Melissa Leo, John Goodman, Kim Dickens, Steve Zahn, Clarke Peters, Rob Brown
Date premièred: 11th April 2010
UK Details: TBC

Review: Parenthood (2010)

Sunday, March 14th, 2010

Once upon a time Steve Martin was an A-list star and little Richie Cunningham was yet to win an Oscar, they teamed with Neo and a bunch of other faces you recognise from the 80s to make Parenthood.  Such a success was this multi generational look at one of life’s greatest challenges network TV rushed out to make a small screen version. Ed Begley Jr, David Arquette and Leonardo DiCaprio took on the roles of their big screen counterparts, unfortunately for Leo, the series followed the fate of other 80s and early 90s movies turned TV shows (Working Girl, Ferris Bueller, Uncle Buck and Baby Talk (based on the film Look Who’s Talking)) and lasted only on series.

Jump forward 20 years and the Buckmans are now the Bravermans and the new head of the house is Six Feet Under star Peter Krause. Originally intended for a September airing it pushed back to the mid-season as actress Maura Tierney was diagnosed with breast cancer, as a result Mercy was brought up in its place. Tiernay went on to leave the series due to her treatment and Lauren Graham took her place.

Parenthood is not so much a spin of off the film, but a re-imagining, both the show and film start off at the same point and at least for the pilot follow a very similar path. The premise is to show 4 siblings as they struggle at various stages of parenthood (the parents of teenagers, toddlers, tweens and the expecting all watched over by the veteran of child rearing), the scope is huge, so how does the show stack up? Well its a bit of mixed bag, the plot follows the film closely minus the huge baby closing. However, by crushing a 2 hour film down 40 minutes you end up with quite an unfocused story with way too many events that conveniently happen over the space of a week.    Adam Braverman (Krause) and the problems with his nervous son which is so prominent in the film is quickly pushed into the background as we instead follow newly divorced mother of two, Sarah (Lauren Graham) as she relocates closer to her family and starts dating again. All the time the patriarch of the family pushes everyone to stand up to conflict while his second son suddenly finds himself engaged to stop his girlfriend impregnating herself with a turkey baster only to find out he fathered another son some years before with a different woman. The final couple have to deal with the effects of the a working mum and child who prefers her dad to do things for her.

So basically there is a shit load going that is only made easy to follow if you have seen the film and know what to expect. They would have been better served to drop some of these subpolts from the pilot and extending them into the series as a whole. Often pilots try to take what will happen in the first series and crush down into the first episode to give people a taste of what they are going to see, but with so many subplots and characters you can struggle to figure out whose story you are suppose to be following.  Overall you have great actors and interesting dynamics, but there was nothing here in the plot or characters to get me excited to see the rest of the series. With other new shows like The Middle and Modern Family covering similar ground this season, Parenthood stands out as being a comic drama rather than a sitcom, although its execution is not as good as the more acclaimed Modern Family.

The series premiere of Parenthood was dedicated to the memory of Nora O’Brien, a Vice President at NBC, who died on the set of Parenthood in April 2009 in Berkeley, California.

Written by: Jason Katims
Directed by: Thomas Schlamme
Starring: Peter Krause, Lauren Graham, Dax Shepard, Monica Potter, Erika Christensen, Sam Jaeger
Date premièred: 2nd March2010
UK Details: TBC

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Review: Spartacus: Blood and Sand

Friday, March 5th, 2010

Starz is a premium priced channel in America prominently showing first run movies, in recent years the channel has moved towards the successful model of HBO and Showtime by producing their own first run TV series. A TV series spin off of Crash and Party Down have enjoyed a moderate amount of success, but their latest addition is Spartacus: Blood And Sand.

The first I hard of this series was an article about how male members of the cast were offered prosthetic penises nicknamed “Kirk Douglas” after the star of the classic Kubrick movie to cover manhood or lack there of. Starz looking to make a name for it’s original drama has created a series that  promised much violence and plenty of full frontal nudity from both sexes.

In the pilot we meet a unnamed Thracian who is drafted into the Roman army in order fight of a barbarian hoard and protect his village. When the Roman commanders change tact leaving his village open to attack he leads a mutiny and manages to save his wife even as his village burns.  Husband and wife share one night together before Roman soldiers abduct them both, she is sold in slavery, he made to fight in the gladiatorial arena.  Here the Thracian defies all expectations and takes down 4 Gladiators, winning the crowd and saving his life.  He is then sold into a Gladiator school as a valuable commodity and given the name Spartacus.

Originally I suspected this would be a mini series expending on the story presented in the 1960 film, however it appears not only does this series run for 13 episodes, but a second series has also recently been picked up. The series is said to focus on Spartacus’ early years, but really just means his life as a Gladiator, it is unclear whether the first season will see the start of his slave rebellion against Rome.

My first reaction to this series was that it looked like a poor rip off of 300, a 225 if you will, but this is only one piece of the puzzle – the slow motion fights. For dialogue they have thrown in the original Spartacus, while HBO’s Rome provides influence for the explicit sex.  Finally Gladiator provides a great deal of influence for the series’ title character; Spartacus was a slave turned Gladiator turned leader of an army, here we have husband warrior sold into a Gladiator school. The Spartacus in this series has no bonds with slavery, there is no hint of what the man shall become which seems very short sighted. Away from the sex and violence the series feels like a movie of the week with melodramatic emotions and swearing thrown in just because they can.

Beyond the attempts at pushing the limits there is an interesting story here, Spartacus is a man driven by desire to be reunited with his wife and it is a bold move by the writers to remove the love interest so quickly and leave him without for so long. The series proves to be a bit of a guilty pleasure, a testosterone fuelled soap opera that will probably not draw new subscribers to Starz premium channel, but at least give them some headlines for future series they choose to produce.

Written by: Steven S. DeKnight
Directed by: Rick Jacobson
Starring: Andy Whitfield, Erin Cummings, John Hannah, Lucy Lawless, Peter Mensah, Manu Bennett
Date premièred: 22nd January 2010
UK Details: Summer 2010

Review: Past Life

Tuesday, March 2nd, 2010

Show creator David Hudgins has enjoyed some great success of late taking a supervising producer credit on the critically acclaimed drama series Friday Night Lights, so it is no surprise that he got the chance to create his own show. Past Life is loosely based on The Reincarnationist, a crime thriller by M.J. Rose, it is about a man who solves modern crime through channelling his past life in ancient Rome. The TV show takes the twist that other people experiencing past life intruding on their present happens because their past selves want to right a wrong.

In the pilot we are thrown right in when high school kid keeps getting hallucinations, having sought help everywhere else his parents turn to Dr. Kate McGinn who offers the explanation of a past life. Her operation has recently expanded by hiring a cop with past onto the team, Price Whatley gives the formally all Doctor group much needed detective skills (a bit like a reverse Mentalist). Following clues they quickly conclude that the boy has the past life of a murdered girl in him and the reason for her showing herself is to help free her sister who was abducted at the same time, but not murdered. In the end they find the girl who has grown up thinking she was adopted. With the sister reunited the high school boy can get back to living – this makes it feel less like a Past Life and more like a possession, either way, why did the sister wait 15 yeas to show herself. We leave with sceptic cop with a past now a believer and he reveals that he took the job in hope he can contact his dead wife.

The problem with the story in the pilot is that we are dealing with a tragedy around characters that we don’t know and don’t care about. Even the boy who is having flashbacks to his past is hardly featured other than wheeling him out in front of people and locations in order to see if he will go crazy. Our main gang of investigators appear to operate outside of law enforcement but with their full support and trust. This is a gimmick led show that struggles to work convincingly for an episode let alone a series.

Past Life represents the kind of TV shows that drive me nuts. It takes a bullshit science and presents it as reality. In fact if there was anything in this world that even came close to proof of Past Lives it would blow everything we know about the human mind and science out the window. Sure you can say this is fiction, but it is the way that the subject matter is handled. This is presented as the real world in which we live in and if your child is going nuts then forget therapy, just stick him in a chair and let him regress. Other shows like this include Ghost Whisperer and Medium, mainly because it gives credibility to some of the most evil people on the planet. Those who seek to exploit people in their most desperate hour, real police time is wasted and these charlatans are only too happy to profit off the back of someone else’s tragedy. For an insight into what these folk get up to check out Stop Sylvia Browne. Rant over.

While Ghost Whisperer and Medium are enjoying great success, Past Life has not fared so well. After a strong opening the second episode lost 50% of the viewers with episode three continuing the downward slide. The series has been cut short with the remaining four episodes to be dumped in the schedules as some point down the line.

Created / Written by: David Hudgins
Directed by: Deran Sarafian
Starring: Kelli Giddish, Nicholas Bishop, Richard Schiff, Ravi Patel
Date premièred: 9th February 2010
UK Details: TBC

Review: White Collar

Saturday, February 27th, 2010

When it comes to greenlighting new drama, networks love two areas, crime and hospitals; of course it is a constant struggle to find a new a way to tell tired old stories. We have already explored the hospital dramas with Nurse Jackie and network light clone Mercy, but now we will look at the new trend in crime drama. Cops and detectives and forensics have all been done so now writers are looking elsewhere. The Mentalist burst onto the scene in 2008 with the idea of teaming a man with a unique skill (in the case a reformed TV psychic) with a bunch of detectives (now it can be argued that the idea for The Mentalist was stolen from comedy drama Psych – a fact not gone unnoticed by the show.) This was followed a few months later by Castle which saw a crime novelist team up with detectives to solve crime. Finally we have White Collar, this time the guy with a skill is a expert conman Neal Caffrey, rescued from prison to help the FBI solve crimes.

When I first heard the pitch for the show it felt like it picked up where Catch Me If You Can left off. But, this is no catch me if you can, there is no background to this guy’s amazing abilities in identifying fraud just everyone says that he is the best. The first episode sees him escape from prison to stop his girlfriend leaving him.. The cop who put him away originally tracks him down but on discovering that he as knowledge of a crime is deputised to help solve such a crime.  Tagged and housed up in a crappy hotel room it does not take Caffrey too long to con his way into more upscale digs with a rich widow. Ultimately his insight proves more useful than the entire resources of FBI and they find the people responsible for a large counterfeit operation. This seals the trust between conman and cop and the start of many new adventures, of course Caffrey still hasn’t reunited with his ex and working with the police may just be a stop gag position until he finds out where she is.

There was much to like in this caper led pilot and I certainly found it more engaging that Castle, but lacked the insider tricks provided by the Mentalist. I wonder would happen if they teamed up these guys as the legit law enforcement seems wholly incapable of solving a crime without these quirky outsiders. This is where these shows fall down, just because you have a unique skill it does not make you the life saver of every operation, however since he is the life saver people should just stop doubting him.

The first series received a 14 episode order with a news of a second series being picked up too.

Created / Written by: Jeff Eastin
Directed by: Bronwen Hughes
Starring: Matt Bomer, Tim DeKay, Willie Garson, Natalie Morales, Tiffani Thiessen
Date premièred: 23rd October 2009
UK Details: TBC

Review: Life Unexpected

Saturday, January 23rd, 2010

From the channel that brought you The Beautiful Life: TBL now comes another show with a crappy title. Life Unexpected, which formally went by the name LUX (get it?) and before that Parental Discretion Advised and before that Light Years, and was more recently also promoted as Life UneXpected. If you think it sounds like they spent more time rewriting the title than the script, then you are probably right. None of these titles really make sense, sure one of the characters is called Lux, but Light Years makes it sound sci-fi and Life Unexpected is just a lie, this was one of the most predictable shows I have seen this season. But maybe I am not the key audience, after all this is the brain child of the folks who brought you the Gilmore Girls, October Road and What About Brian.

OK so this is the story. Lux has been shifted around foster homes for 15 years and as she is tuning 16 she wants to get legally emancipated, however to do this she has to get her birth parents to sign some bit of paper. So she wanders down to the local bar to find her Dad, Nate, who had no idea she even existed. They bond over YouTube clips before tracking down her mum, Cate, who has just got engaged to her on-air morning radio co-host. Lux gets her papers signed by both parents and goes to court where the renegade judge decides she is not ready for emancipation and instead puts her into the custody of her birth mum who gets up at 4am to do a radio show and her birth father who works till 4am at his bar. Neither of them asked for this, so of course the parents aren’t happy, but after some arguing they have crazy wild sex before Cate goes back to her fiancée and says her daughter is moving in with them.

There must have been some sort of out cry by foster parents in Oregon who seem to all hate children… or love them to much. Seriously 7 abusive foster parents? Can’t this kid catch a break? There also must have been about 3 albums worth of music in this show.  Sure the characters speak in an on the nose over explainy way, but do we need 30 different indie guys singing with their guitars to demonstrate this is an emotional moment? As the show moves forward we know Nate and Cate should get together, or at very least Cate (who seemed to learn nothing about unprotected sex since high school (yes I release Nate should know too, but in fairness, last time he thought she got an abortion, obviously the fact she disappeared for 9 months wasn’t a clue)) needs to be dumped by her fiancée.

The series already has an order for 13 episodes and again they go crazy with titles in that weird American obsession with title themes way (Friends for example was always “The One…”, Scrubs was “My…”, Smallville episodes are all one word titles (except the most recent episode “Absolute Justice” – that’s right, back off nerds), or The L word, where all the titles begin with an “L”). All the titles in Life Unexpected are “xxxx xxxxed” or when then they can “xxxx unxxxed”, you see it is like the title – we be clever little writers!

Written by: Liz Tigelaar
Directed by: Gary Flede
Starring: Brittany Robertson, Shiri Appleby, Kristoffer Polaha, Kerr Smith, Reggie Austin
Date premièred: 18th January 2010
UK Details: TBC


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