Posts Tagged ‘FX’

Review: Terriers

Friday, September 17th, 2010

Private Investigators, Dognapping and Murder.

FX is a channel that sits between mainstream channels like ABC, FOX and NBC and subscription channels like HBO and Showtime.  This has led to drama like The Shield, Sons of Anarchy and It’s Always Sunny in Philadelphia which are more risqué than shows on the mainstream channels, but avoid on screen graphic violence, sex and language that are common on the subscription channels. The Shield for example is known as one of the most gritty cop dramas ever produced, it deals with drugs, gangs and bad cops and yet not once in the 7 series was the word “Fuck” ever uttered, compare  that Oz, The Wire or Dexter. So when a new FX series starts you know that they will find a way to push the limits, but more importantly, because money is tight, they can not afford to make a series and then cut it from the schedules only show 2 episodes because it wasn’t performing, for this reason the scripts have to be better.

Terriers is a joint venture between Shawn Ryan (Creator of The Shield) and Ted Griffin (Writer of Ocean’s Eleven) and was commissioned for a full series order on the back of this pilot. A full series on FX is around 13 episodes and so shows do not suffer from a sudden order for 9 episodes after the show becomes a hit leaving the writers looking for a way to drag out the series.

In the first episode we see two friends who have a floundering unlicensed private investigator buisness, their services rather than earning them money are more likely to be traded in favours. Hank Dolworth is an ex cop and takes a job from a friend to find his daughter, this leads him and his partner Britt Pollack to a property developer who double hires the PIs to find the girl and return a ‘personal item’ she stole from him. As you would expect things soon spiral out of control and go beyond what the duo can deal with alone. They are left in a situation where they either cut their losses or step up to the big leagues.

I have radically simplified the plot, partly because it was so dense, but also to leave you a few surprises, as this is a show you should check out.  While the Private Investigator backdrop is nothing new (think Raymond Chandler’s Sam Spade or more recent examples such as the brilliant Brick and Jeff Goldblum’s Raines), the character portraits and story structure in this episode of Terriers is superb. From the outset we understand the dynamic between the two friends, we understand an obvious outer struggle (money) and gradually learn the greater personal struggles they need to overcome.  Hank needs to reconcile his past as an alcoholic cop and face up to losing his wife, Britt needs grow up and take more responsibility in the relationship with his girlfriend. Both men are floundering at the start of the episode, but their path is set at the end; as they look forward, the road may be tougher, but the rewards will be greater.

This is a solid first outing, there are some surprises, it is well written but ultimately we are left with all the staples of the genre, the all purpose rich bad guy, friction with the police, casual beatings, sexy vixens. As an example of the genre it is top notch, but adheres a little too close to the formula for it to feel like truly original drama.  I am looking forward to the next episode, but this not quite the must see show I was hoping for.

Created / Written by: Ted Griffin
Directed by: Craig Brewer
Starring: Donal Logue, Michael Raymond-James, Laura Allen, Rockmond Dunbar, Jamie Denbo, Kimberly Quinn
Date premièred: 8th September 2010
UK Details: TBA

Review: Louie

Thursday, July 1st, 2010

Back in 2006 Louis C.K. took a stab at the traditional sitcom with his HBO show Lucky Louie. Using the traditional 3 camera set up and a live studio audience it was a bold choice when many other comedies had switched to the single camera format. However after a single series HBO said “no more”, this was not due to ratings, as the show had a strong cult following, but because the critics didn’t like it and HBO’s image was more important (Sadly my rage at True Blood has not led to a similar fate for that show). Anyway Louis when back out on the stand up circuit, picking up a roll on Parks and Recreation before FX finally offered him a new show.

There is actually not much in the way of a plot here, instead what you have is Louis C.K. doing a bit stand up before cutting to a short vignette, a little more than a sketch, but a lot less than actual sitcom.  Based loosely on his own life we are introduced to Louie who is a divorced father of two, in the pilot we see him with kids on a school trip and a failed date.  Both show his difficulties in the situation as he tries to take control of the situation on the school bus, but fails in every way with his date.

I can’t hide my disappointment, I really liked Lucky Louie and Louis C.K. is a great stand-up with a strong voice and a unique take on the world.  Here however I feel we lose a lot of the controversy of his comedy. From what I have seen before he has the ability to take you to a dark place before pulling you back out; For example there was a stand out episode of Lucky Louie where he called his wife a cunt, or his stand up idea on why we should not be so angry a paedophiles (see below).  This show seems to lack heart, in both vignettes he doesn’t make the tough choices that would make his life better, played more for laughs than story we see no desire to improve himself that was so clear in his previous sitcom.

Created / Written by: Louis C.K.
Directed by: Louis C.K.
Starring: Louis C.K.
Date premièred: 29th June 2010
UK Details: TBC

Double Review: Memphis Beat and Justified

Wednesday, June 30th, 2010

It seems like drama has moved south. A trend perhaps started by True Blood and followed by Treme, The Good Guys, Outlaw Country, the recently wrapped up Justified and new entry Memphis Beat. Since these last two have more than little in common I will review both now.

Justified starts with U.S Marshal Raylan Givens (Timothy Olyphant) sat down with a known fugitive, he offers him the choice to leave town or die, pulling a gun on Raylan seals his fate, but that is one too many shootings and Raylan is reassigned to is home town in Kentucky. Here childhood friend Boyd Crowder(Walton Goggins has turned into redneck racist and is not only responsible for the murder of one of his gang members but also for launching a rocket into a black church. Tracking down Crowder leads Raylan to cross paths with his past, an ex-wife, a childhood admirer and the mystery of surround his estranged father. Ultimately it all leads to showdown where he is placed in a similar situation as the first scene and has to make the call about shooting his childhood friend.

Based on the character created by Elmore Leonard the pilot sets up that all too familiar police dynamic and while Raylan maybe more gentleman than brute force, his unconventional methods still rials up his boss. With The Shield finishing on such a high last year, it was great to see the return of the brilliant Walton Goggins to the TV screens, he manages to infuse real character in what could a horrible stereotype in other hands. The pilot serves to set up the interesting characters and dynamics, but as a result feels a little back story heavy with many key events taking place prior to the first episode. With a setting that takes us out of the cities we have become use to in other cop shows, there is certainly scope for fresh storylines. However, although bold in the early stages highlighting the consequence of a policeman shooting his gun, by the end you get the feeling that as long as it is a bad guy getting shot, that is all the justification needed.

In the pilot episode of Memphis Beat we are introduced to Dwight Hendricks (Jason Lee) a policeman with very good instincts. When an abused old woman is brought into the station, Dwight learns she was once a great radio DJ who first introduced him to Elvis (he is now an Elvis impersonator in  his spare time).  Emotionally involved in the case his new boss does not approve of his unconventional methods, constantly taking him off the case, this however does not stop his investigation until he finds her abuser.

From the first shot of Jason Lee you start to wonder if this is suppose to be a comedy, then you see the scrawny DJ Qualls in uniform and you know think it is a comedy, then when the first criminal’s trousers fall down, you sigh as it becomes “that type of comedy”. But that is where the comedy ends and a run of the mill police drama starts. Characters are flat and one note facing few, if any consequences for their actions. Only two things stand out, the music (an excellent from soundtrack from start to finish) and the setting. Dwight’s amazing instincts are often mentioned, but there is no explanation about where this comes from, he is no Mentalist and his skills serve only to move the plot forward in a quick and convenient way.

So in a quick summary, Memphis Beat sees Southern gentleman cop Dwight Hendricks solve crime with his unique powers of insight which goes against his by the book boss’ wishes. Justified meanwhile takes place in neighbouring state where U.S Marshal and southern gentleman Raylan Givens upsets his by the book boss because of a trigger happy finger.

Memphis Beat did nothing to peak my interest, I did not get involved with the main character and the horrible mix of comedy and drama was off balance and distracting. I have made it through the first series of Justified and much like the pilot there are some stand out moments that raise it above the usual network offerings, but it is not bold or fresh enough to stand up against other police dramas such as The Shield and The Wire. Law enforcement will always be a popular choice for drama, like medical shows it allows for an easy, self contained story each week, but it is such a well trodden path that you have to throw in something new to win me over.

I’m already dreading the next police drama on my review list Rookie Blue.

Memphis Beat
Created / Written by: Josh Harto and Liz Garcia
Directed by: John Fortenberry
Starring: Jason Lee, Alfre Woodard, DJ Qualls, Celia Weston, Sam Hennings, Leonard Earl Howze, Abraham Benrubi
Date premièred: 22nd June 2010 (TNT)
UK Details: TBC

Justified
Created / Written by: Graham Yost based the character created Elmore Leonard and his short story “Fire in the Hole”
Directed by: TBC
Starring: Timothy Olyphant, Nick Searcy, Erica Tazel, Jacob Pitts, Joelle Carter, Natalie Zea,
Date premièred: 16th March 2010 (FX)
UK Details: 5th May 2010 (FIVE USA)


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