Posts Tagged ‘HBO’

Review: Boardwalk Empire

Wednesday, September 22nd, 2010

When the city runs dry, the streets will run with blood.

When it comes to ambitious drama series, no other channel can do it as well as HBO. Band Of Brothers, Carnivale and Deadwood are prime examples of stellar production values, quality scripts and great acting with each episode feeling like a fully fledged mini film. With the exception of True Blood, HBO has struggled to find another great drama that would pull in viewers the way The Sopranos and Sex And The City did. Enter Boardwalk Empire written by Sopranos alumni Terrence Winter, staring Steve Buscemi and produced and directed by Martin Scorsese; this is without doubt one of HBOs most ambitious projects to date.

Set in Atlantic City on the eve of prohibition we are introduced to the main character Enoch “Nucky” Thompson (Buscemi) a smooth talking politician making a profitable career as a bootlegger on the side. With the police on side Nucky becomes a powerful contact for Chicago mobsters who are looking get booze to their city and of course he makes a good profit out of the deal. We see a softer side to Nucky when he helps out a pregnant woman married to drunken violent gambler. Meanwhile Jimmy (Michael Pitt)  a World War I vet with the horrors of war still fresh in his mind, returns to Atlantic city  to find everyone else has climbed the ladder of success and he has been left behind, frustrated he teams up with a young Al Capone to make a name for himself.

This is an impressive show in a league of it’s own, with a $20 million budget the production values make it feel more like a movie than a TV series, the attention to detail in the buildings, costume and language create a vivid picture of a fascinating time in American history. Director Martin Scorsese has certainly put his mark on this film with clear echos to his other gangster flick Goodfellas (Freeze Frames on characters, longing sweeping shots, a comic delivering jokes over a pivotal turning point in the story are just a few examples).  It is a bold design that other directors will have to emulate in future episodes, although schedules permitting Scorsese has stated he would like to direct more episodes. I heard some concern before the pilot aired that the show like Mad Men would be rich in texture but weak on story, this is certainly not the case.   This is great writing where character choices drive the story rather than characters reacting to events out of their control, this is what makes a compelling show. The pilot episode, running over 70 minutes, sets up many of the arcs we will be following over the series and the choices made the characters feel like they will have far reaching consequences.

The question is, in Enoch “Nucky” Thompson do we have our new Tony Soprano sized anti-hero? The Sopranos set a very high bar for all shows, not just those appearing on HBO and comparisons are bound to be made, however what made Sopranos such a perfect show is what is missing here. Tony Soprano was at heart a family man, he may break the law and have affairs, but ultimately his children and his mother ruled his actions, his discontent with how the American dream had played out for him was something that everyone could identify with. Boardwalk Empire is an incredible achievement with a great cast of characters (make no mistake Steve Buscemi cuts an imposing presence), but currently it lacks an emotional core that I can identify with. Nucky’s relationship with a pregnant Irish immigrant seems placed to provide that core, but it felt so separate from the central plot that it failed to resonate with me.

Overwhelming positive reaction to series has already led to talk of massive Emmy wins and a mere two days after the premier a second series was ordered.  This is a show that is going to be around and I am sure you will be hearing much more about it.

Written by: Terrence Winter
Based on the Book by: Nelson Johnson
Directed by: Martin Scorsese
Starring: Steve Buscemi, Michael Pitt, Kelly Macdonald, Michael Shannon, Shea Whigham, Aleksa Palladino, Michael Stuhlbarg, Stephen Graham
Date premièred: 19th September 2010
UK Details: TBA

Review: Louie

Thursday, July 1st, 2010

Back in 2006 Louis C.K. took a stab at the traditional sitcom with his HBO show Lucky Louie. Using the traditional 3 camera set up and a live studio audience it was a bold choice when many other comedies had switched to the single camera format. However after a single series HBO said “no more”, this was not due to ratings, as the show had a strong cult following, but because the critics didn’t like it and HBO’s image was more important (Sadly my rage at True Blood has not led to a similar fate for that show). Anyway Louis when back out on the stand up circuit, picking up a roll on Parks and Recreation before FX finally offered him a new show.

There is actually not much in the way of a plot here, instead what you have is Louis C.K. doing a bit stand up before cutting to a short vignette, a little more than a sketch, but a lot less than actual sitcom.  Based loosely on his own life we are introduced to Louie who is a divorced father of two, in the pilot we see him with kids on a school trip and a failed date.  Both show his difficulties in the situation as he tries to take control of the situation on the school bus, but fails in every way with his date.

I can’t hide my disappointment, I really liked Lucky Louie and Louis C.K. is a great stand-up with a strong voice and a unique take on the world.  Here however I feel we lose a lot of the controversy of his comedy. From what I have seen before he has the ability to take you to a dark place before pulling you back out; For example there was a stand out episode of Lucky Louie where he called his wife a cunt, or his stand up idea on why we should not be so angry a paedophiles (see below).  This show seems to lack heart, in both vignettes he doesn’t make the tough choices that would make his life better, played more for laughs than story we see no desire to improve himself that was so clear in his previous sitcom.

Created / Written by: Louis C.K.
Directed by: Louis C.K.
Starring: Louis C.K.
Date premièred: 29th June 2010
UK Details: TBC

Review: Treme

Saturday, June 5th, 2010

Alright this is a little late especially since got to see a preview of the pilot at the BFI a couple of months ago. So lets dive right in.  How do you follow up what is considered by many to be the finest television drama of all time? Well that is problem that faced David Hudgins writer and creator of Past Life… only kidding! David Simon the show runner of HBO’s The Wire had the tough job of following up on the critical acclaim of the Baltimore set drama, in order to deliver he teamed up with The Wire writer Eric Overmyer to create Treme. The New Orleans drama set 3 months after Katrina looks at the working class district of Treme as musicians cooks and inhabitants struggle to get back on their feet while dealing with the fallout of  the disaster. In 2007 Fox greenlit K-Ville, a post Katrina New Orleans police drama, the series was cut short during production and ultimately never even screened all the episodes that were shot. So how does HBOs take on event stack up?

Like The Wire, Treme is an ensemble cast of characters who all are looking for a way to survive in the damaged city. The main thrust of the pilot follows Antoine Batiste (Wendell Pierce) a trombonist who arrives in the  New Orleans neighbourhood of Treme as it holds its first “second-line parade since the flood. Antoine is desperately chasing up friends looking for the next gig so he can survive, since the storm washed away his car, he has to rely on taxis to get him everywhere, and regrettably much of the money he earns is lost in that endeavour.  Meanwhile his ex-wife LaDonna Batiste-Williams (Khandi Alexander) discovers her brother thought to be killed in the storm is still alive thanks to the help of civil rights lawyer Toni Bernette (Melissa Leo). Her husband Creighton Bernette (John Goodman) fights to get the truth about governments failings both during and before Katrina. Janette Desautel (Kim Dickens) runs a restaurant, that despite being very busy is in danger of closure as she waits for the insurance to arrive. Davis McAlary (Steve Zahn) is a DJ with a passion for the music and culture New Orleans, a struggling musician he battles the Man and his ignorance of outsiders as he defends the music he loves. Finally Albert Lambreaux (Clarke Peters) returns home to find it destroyed by the storm, as a Mardi Gras Indian chief, he beings trying to bring back his tribe, including his son Delmond (Rob Brown) who has found the music scene New York more to his taste. The near feature length pilot sets all these stories in motion, introducing us to this culture and what we can expect to see over the series.

There is no big mystery or mission in Treme, the characters occasionally cross paths, but they are all heading in their own direction regardless of what the others are doing. Watching the pilot we get see the heartbreak of seeing a home wrecked by the flood, the families that have been displaced and businesses struggling as they wait for tourists to return.  Ultimately however there is a certainty that New Orleans is worth saving and will return with full swing.

Watching Treme for the first time, I was totally grabbed by music, the characters and the culture, the show boasts appearance form many local musicians, something which is clear for the weathered and often un-TV like faces. However, despite the rich tapestry I often found myself not really caring about the stories.  This is a slow burner, many of the characters are just trying to get by day by day, therefore there are few victories they can claim and those they do are small. Albert’s big victory is getting the water damaged junk removed from outside his bar, or Antoine getting another paid gig. Sometimes it can just feel like watching a series of beautiful snap shots, moments in time, like The Wire, Treme is in it for the long game a means to explore deeper far reaching stories, rather than the “case of week” formula used on so many other shows.

HBO has already renewed the show for a second season.

Created / Written by: David Simon, Eric Overmyer
Directed by: Agnieszka Holland
Starring: Wendell Pierce, Khandi Alexander, Melissa Leo, John Goodman, Kim Dickens, Steve Zahn, Clarke Peters, Rob Brown
Date premièred: 11th April 2010
UK Details: TBC

Review: Spartacus: Blood and Sand

Friday, March 5th, 2010

Starz is a premium priced channel in America prominently showing first run movies, in recent years the channel has moved towards the successful model of HBO and Showtime by producing their own first run TV series. A TV series spin off of Crash and Party Down have enjoyed a moderate amount of success, but their latest addition is Spartacus: Blood And Sand.

The first I hard of this series was an article about how male members of the cast were offered prosthetic penises nicknamed “Kirk Douglas” after the star of the classic Kubrick movie to cover manhood or lack there of. Starz looking to make a name for it’s original drama has created a series that  promised much violence and plenty of full frontal nudity from both sexes.

In the pilot we meet a unnamed Thracian who is drafted into the Roman army in order fight of a barbarian hoard and protect his village. When the Roman commanders change tact leaving his village open to attack he leads a mutiny and manages to save his wife even as his village burns.  Husband and wife share one night together before Roman soldiers abduct them both, she is sold in slavery, he made to fight in the gladiatorial arena.  Here the Thracian defies all expectations and takes down 4 Gladiators, winning the crowd and saving his life.  He is then sold into a Gladiator school as a valuable commodity and given the name Spartacus.

Originally I suspected this would be a mini series expending on the story presented in the 1960 film, however it appears not only does this series run for 13 episodes, but a second series has also recently been picked up. The series is said to focus on Spartacus’ early years, but really just means his life as a Gladiator, it is unclear whether the first season will see the start of his slave rebellion against Rome.

My first reaction to this series was that it looked like a poor rip off of 300, a 225 if you will, but this is only one piece of the puzzle – the slow motion fights. For dialogue they have thrown in the original Spartacus, while HBO’s Rome provides influence for the explicit sex.  Finally Gladiator provides a great deal of influence for the series’ title character; Spartacus was a slave turned Gladiator turned leader of an army, here we have husband warrior sold into a Gladiator school. The Spartacus in this series has no bonds with slavery, there is no hint of what the man shall become which seems very short sighted. Away from the sex and violence the series feels like a movie of the week with melodramatic emotions and swearing thrown in just because they can.

Beyond the attempts at pushing the limits there is an interesting story here, Spartacus is a man driven by desire to be reunited with his wife and it is a bold move by the writers to remove the love interest so quickly and leave him without for so long. The series proves to be a bit of a guilty pleasure, a testosterone fuelled soap opera that will probably not draw new subscribers to Starz premium channel, but at least give them some headlines for future series they choose to produce.

Written by: Steven S. DeKnight
Directed by: Rick Jacobson
Starring: Andy Whitfield, Erin Cummings, John Hannah, Lucy Lawless, Peter Mensah, Manu Bennett
Date premièred: 22nd January 2010
UK Details: Summer 2010

Review: Hung

Monday, August 10th, 2009

HBO has been responsible for some of the most ground breaking dramas on TV. From Oz and The Sopranos to The Wire and Sex And The City
, their shows have pushed barriers and received critical and popular acclaim. In recent years however HBO has struggled to find a hit that replicates the channel’s past success.

Enter Hung, a 30 minute comic drama about a high school sports teacher who uses his God given gift of a huge dong to supplement his income. In the pilot episode Ray Drecker narrates his way through his dilemma, a jock in high school, he married his sweetheart and had a promising career as a professional athlete. However he is now divorced with 2 children, his house is falling down and an injury has left teaching his only option with the limited skills he has. Desperate for money he turns to a class in starting up a business and is told that everyone has a talent others will pay for. Ray struggling to find what he has to offer comes to the conclusion his wang holds the answer and decides to become a male a jiggalo. A woman in his business class loves the idea and takes on the role as his pimp, dressing him up, teaching him how to act and running a marketing campaign.

In the pilot we get the reluctant set up, it is quite heavy on back-story with many flashbacks and narration. The promise of swinging shlong is never shown (A boogie nights reveal maybe being held back for the season finale), but everyone talks about it. It is an interesting shows that tries to tap into the mood of a nation in crisis. The recession has hit America hard, especially in the manufacturing state of Missouri where this story is set. The roles of gender are being played with and although being a gigolo might seem to be the dream job of every male it comes with the same issues that greets the females in the trade. A pimp who takes more than their fair share, clients who reject based on looks, or don’t pay or just not attractive.

The show was created by Dmitry Lipkin the man behind FX drama The Riches and has similar sensibility of people making the best of a bad situation. A slightly heavy handed pilot in terms of being spoon fed information, but this is a promising start and unlike other HBO shows which has seen characters enjoying wealth, this is a story about a man in a situation that more people can identify with. There is a fair amount of struggle for the main character to reach his goals and there are many, many issues left to explore. This could be the headline grabbing show HBO has been looking for, so much so that a second series has already been ordered.

Written by: Colette Burson & Dmitry Lipkin
Directed by: Alexander Payne
Starring: Thomas Jane, Jane Adams, Sianoa Smit-McPhee, Charlie Saxton
Date premièred: 28th June 2009
UK Details: More 4 – October 2009


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